Blackmagic Design Pocket Cinema Camera 4K Battery GripBlackmagic Design Pocket Cinema Camera 4K Battery Grip
- For BMPCC 6K or BMPCC 4K Camera
- Attaches to Bottom of Camera
- Runs on 2 L-Series Type Batteries
- Powers Camera for up to 2 Hours
- Charge Batteries in Grip via Camera
- Carbon Fiber Design
- Non-Slip Handgrips
- Slide-Out Battery Tray
- Storage Slot for Battery Door Cover
* Batteries not included
Blackmagic Design URSA Mini Pro 4.6K G2 Digital Cinema CameraBlackmagic Design URSA Mini Pro 4.6K G2 Digital Cinema Camera
Upping the electronics and recording capabilities of its Mini Pro predecessor, the Blackmagic Design‘s URSA Mini Pro 4.6K G2 Digital Cinema Camera brings expanded control set and even more functionality. The G2 introduces an updated Super 35 4.6K sensor featuring 15 stops of dynamic range at 3200 ISO, high frame rate recording up to 300 fps, and additional recording functionality.
First, the addition of external camera controls allows menus to be accessed to change exposure settings, activate slow/fast motion, or engage focus assist or other functions. The exterior of the camera also gains a monochrome LCD panel which displays essential shooting data at a glance. Another welcome pro feature is the built-in ND (neutral density) filter wheel. The four-position wheel switches between two, four, and six stops of neutral density, plus a clear filter for no exposure reduction.
Behind the display, two SD card slots beside the CFast 2.0 slots enable more affordable media to be used for less intensive recording formats. The G2 introduces a USB-C expansion port so you can record directly to external drives. The default electronic EF lens mount is user-interchangeable and adjustable to ensure proper flange focal distance.
At the heart of the camera is Blackmagic Design’s acclaimed Super 35mm 4.6K sensor block, known for its ability to capture cinematic images with subtle gradients and large dynamic range rated at 15 stops. The G2 can now capture Blackmagic RAW footage in film and extended modes which makes it more versatile to meet your production needs. Probably the most impressive update with the G2 is the ability to capture 4.6K footage at 120 fps, 4K DCI at 150 fps, or even 1080p footage at 300 fps which is well suited for fast-action shooting.
Like the URSA Mini, the URSA Mini Pro G2 can record high-resolution raw sensor data in Blackmagic RAW format onto CFast 2.0 or SD memory cards at up to 60 fps. The raw files preserve the full dynamic range and color tonality output from the sensor, so you can have greater control over the look in post-production. However, data-heavy uncompressed raw files aren’t always easy to deal with on set so in addition to uncompressed raw recording, the URSA Mini Pro provides compressed raw recording at 3:1 and 4:1 compression ratios to save space while retaining post-production flexibility.
If raw capture is not necessary for your production, the URSA Mini Pro G2 offers ready-to-edit industry standard Apple ProRes files in many different flavors within the 444 and 422 chroma subsampling variations depending on your workflow. The 4.6K, 4K, 3K, 2K, and HD recording resolutions can be captured as ProRes files either using the “Film” dynamic range for a flatter image for grading in post-production, or “Video” dynamic range for a finished look right out of the camera. ProRes can be recorded to either CFast 2.0 or UHS-II SD cards (SD cards top out at UHD 4K; please check the Blackmagic Design website for updated card compatibility and limitations).
Since the form factor of the original URSA Mini has been adhered to, the ergonomic benefits have remained as well. With separately available accessories like the VCT shoulder pad, side handgrip, broadcast battery plate, and EVF, the camera can be kitted out for comfortable shooting over extended periods. For studio-style shooting, the same shoulder pad is compatible with 15mm LWS rods for mounting lens supports for long lenses, follow focuses, lens drive motors, matte boxes, and more.
Câmera Sony Alpha a7 II Mirrorless Digital (Corpo)Câmera Sony Alpha a7 II Mirrorless Digital (Corpo)
Sony has taken their line of full-frame cameras to the next level with the Alpha a7 II Mirrorless Digital Camera, which features 5-axis SteadyShot INSIDE image stabilization with 4.5 stops of compensation for pitch, yaw, horizontal shift, vertical shift, and roll. Operation of the 24.3-megapixel series has been streamlined with a redesigned grip, shutter release button, and customizable controls. The a7 II also features a moisture- and dust-resistant design with a magnesium alloy body and a more robust lens mount. And, with refined algorithms and better utilization of the BIONZ X image processor, the a7 II has an enhanced Fast Hybrid AF system that is about 30% faster than the previous model along with a 5 fps burst rate with continuous autofocus as well as a 40% faster start time.
The 24.3-megapixel sensor enables high resolution images and low light effectiveness with its standard ISO sensitivity range of 100-25600. The BIONZ X image processor offers fast processing and operation speeds and front-end LSI (large-scale integration) improves the early stages of image processing resulting in more natural details and richer tones. And, 16-bit image processing and 14-bit RAW output preserves the detail provided by the sensor.
In addition to highly detailed stills with smooth gradations, the a7 II now has access to the high-bit-rate XAVC S format with 60p, 30p, and 24p recording options, all at 50 Mbps. The look of movies can also be adjusted with picture profiles, including the addition of the S-Log2 gamma setting with a dynamic range approximately 1,300% of the standard sRGB spectrum. Timecode and user bit settings are available as well as clean HDMI output for a variety of recording options.
The advanced Sony Multi-Interface Shoe expands compatibility options for flash, microphone, and other accessories and, as an E-mount full-frame camera, the a7 II is compatible with all present APS-C E-mount lenses in APS-C crop mode as well as new E-mount full-frame Zeiss and Sony G-series lenses. Lens mount adapters with a tripod mount are also available to use A-mount lenses on E-mount cameras, and an optional dedicated battery grip enables stable extended shooting and vertical orientation stability.
Rounding out the a7 II’s imaging capabilities, both a 3.0″ 1,228.8k-dot tilting LCD monitor and 2.36 million-dot OLED electronic viewfinder are available for image monitoring and review. Built-in Wi-Fi connectivity, with support for NFC, is available, too, for instant sharing of imagery from the camera as well as remote camera control from a linked mobile device.
Camera Blackmagic Design Pocket Cinema 4KCamera Blackmagic Design Pocket Cinema 4K
- 4/3″-Sized HDR Sensor
- DCI 4K60, 2.8K80 Raw in 4:3 Anamorphic
- Dual Native 400/3200 ISO / up to 25,600
- Up to 2.6K 120 Raw for Super16 Lenses
- 5″ Touchscreen Display
- Active Micro Four Thirds Lens Mount
- CFast 2.0 & SD/UHS-II Card Slots
- External Recording via USB Type-C
- 13-Stop Dynamic Range, 3D LUT Support
- Includes DaVinci Resolve Studio License
Camera Canon Eos M50 15-45MM F/3.5-6.3 Is STM PretoCamera Canon Eos M50 15-45MM F/3.5-6.3 Is STM Preto
Comprising a versatile feature-set to suit both stills and video applications, the black EOS M50 Mirrorless Digital Camera from Canon separates itself from the pack with UHD 4K video recording, a high-resolution electronic viewfinder, and improved Dual Pixel CMOS AF with Eye Detection AF. Utilizing a 24.1MP APS-C CMOS sensor and DIGIC 8 image processor, improved Auto Lighting Optimizer helps to ensure clean image quality with low noise, along with top 10 fps shooting rate and a native sensitivity range of ISO 100-25600, which can be extended to ISO 51200 for working in low-light conditions. The sensor and processor combination also enables UHD 4K video recording at 23.98 fps, along with Full HD 1080p60 and HD 720p120 for slow motion capture. The sensor’s design also facilitates Dual Pixel CMOS AF, which uses phase-detection autofocus for quick, accurate, and smooth performance to suit both stills and video use. Additionally, Combination IS 5-axis image stabilization also helps to realize steady, shake-free recording by minimizing the appearance of camera shake.
Complementing the imaging attributes, the EOS M50 also incorporates a 2.36m-dot OLED electronic viewfinder and a 3.0″ touchscreen LCD for intuitive control. The screen’s vari-angle design permits working from high and low working angles and its touchscreen interface allows working with Touch and Drag AF for easier manipulation of the AF area. Additionally, built-in Wi-Fi with NFC is available for quick and convenient pairing with a smartphone or tablet for wireless image sharing, and Bluetooth is also featured for image sharing to and remote camera control from a mobile device.
24.1MP APS-C CMOS Sensor and DIGIC 8 Image Processor
Both a 24.1MP APS-C CMOS sensor and DIGIC 8 image processor are used to deliver high sensitivity and fast camera performance to suit both stills and video applications. A flexible ISO 100-25600 range, with an expandable ISO 51200 setting, suits working in a variety of lighting conditions, and the processing capabilities minimize noise and afford Auto Lighting Optimizer for notable clarity in various shooting situations. UHD 4K video recording is also supported at 23.98 fps, along with Full HD 1080p60 and HD 720p120 settings for slow motion recording. Additionally, the processor affords a 10 fps continuous shooting rate, fast camera startup time, and short interval times between each frame for a more intuitive and efficient shooting process.
Dual Pixel CMOS AF
Dual Pixel CMOS AF offers smooth and fast focusing performance in a similar manner to how a camcorder acquires focus. This system integrates two separate photodiodes within each pixel to provide a broad and dense network of phase-detection gathering elements across a majority of the image sensor to reduce focus hunting for faster, more direct control of focus placement. When working with still imagery, this focusing system works to acquire focus quickly and accurately, making it ideally suited to shooting and tracking moving subjects so that critical focus is attained with each shot. Eye Detection AF can also be used for portraiture, and helps to prioritize focus on a subject’s eye for ensured sharpness.
When shooting video, a Movie Servo AF mode offers smooth and natural focusing when changing from different subjects or different distances within the scene, as well as the ability to specify tracking sensitivity, AF speed, and Face Tracking priority. Benefited by the Touch AF system, rack focus is possible simply by touching elements within the scene on the touchscreen in order to change focus in an intuitive manner. Subject tracking in movies is also heightened due to the Dual Pixel CMOS AF system’s ability to recognize subjects and maintain focus when working within changing or cluttered scenery.
Combination IS uses the built-in 5-axis digital image stabilization in conjunction with lens-based image stabilization systems to effectively minimize the appearance of camera shake for sharper handheld shooting. This benefits recording while walking or moving, and can also be used in conjunction with lenses featuring optical IS for more effective overall stabilization.
Body Design and Wireless Connectivity
- Large 3.0″ touchscreen LCD provides an intuitive method for controlling focusing points, navigating menus, and reviewing imagery. This screen also features a vari-angle to better enable working from high and low angles.
- Integrated 2.36m-dot OLED electronic viewfinder permits bright, clear eye-level monitoring and also permits working with Touch and Drag AF for manually moving the AF area while shooting with the EVF for more intuitive control.
- Built-in Wi-Fi with NFC allows for easy wireless sharing of both photos and movies to a linked mobile device.
- Bluetooth permits linking a smartphone or tablet for quick, automatic image sharing between devices as well as remote control capabilities.
- Built-in pop-up flash provides additional illumination for working in low-light conditions. A hot shoe is also available for working with an optional external flash for greater control.
EF-M 15-45mm f/3.5-6.3 IS STM Lens
Camera Canon Eos RP CorpoCamera Canon Eos RP Corpo
Impressively small despite having a large full-frame sensor, the Canon EOS RP offers flexible imaging capabilities along with a portable form factor. Featuring a high-resolution 26.2MP full-frame CMOS sensor along with a DIGIC 8 image processor, both stills and UHD 4K video can be recorded using a broad sensitivity range, from ISO 100-40000, to suit working in a variety of lighting conditions. Continuous shooting is also supported at up to 5 fps for photographing moving subjects. The sensor also facilitates an advanced Dual Pixel CMOS AF system, with 4779 selectable on-sensor phase-detection points for quickly and accurately acquiring focus during stills and video operation.
Complementing the sensor and processor, the RP also sports a 2.36m-dot OLED electronic viewfinder along with a rear 3.0″ 1.04m-dot vari-angle touchscreen LCD monitor for easier viewing from high and low angles. Additionally, Wi-Fi and Bluetooth allow for wireless remote camera control along with direct image sharing to linked mobile devices.
Canon RF Lens Mount
The EOS RP features the RF lens mount, which support Canon’s line of RF-mount lenses. This mount is characterized by its wide 54mm diameter and short 20mm flange-back distance, which promotes the ability to design lenses that are both faster and smaller than their SLR equivalents. The mount also incorporates a 12-pin electronic contact system for more sophisticated autofocus and image stabilization capabilities. This mount design also lends full compatibility to existing EF and EF-S-mount lenses via an optional EF-EOS R Mount Adapter.
Câmera digital Panasonic Micro Lumix DC-G9 sem espelho de quatro terços (apenas o corpo)Câmera digital Panasonic Micro Lumix DC-G9 sem espelho de quatro terços (apenas o corpo)
- 20.3MP Digital Live MOS Sensor
- Venus Engine Image Processor
- UHD 4K60p Video; 80MP High-Res Shot Mode
- 5-Axis Sensor Stabilization; Dual I.S. 2
Câmera digital sem espelho Panasonic Lumix DC-G95 com lente de 12-60mmCâmera digital sem espelho Panasonic Lumix DC-G95 com lente de 12-60mm
- 20.3MP Digital Live MOS Sensor
- Venus Engine Image Processor
- UHD 4K30p Video, Pre-Installed V-Log L
- 5-Axis Sensor Stabilization; Dual I.S. 2
Comprising a versatile set of photo and video capabilities, the Lumix DC-G95 from Panasonic is a Micro Four Thirds mirrorless camera also characterized by its sleek and portable design.
Câmera Panasonic Lumix DC-GH5S Mirrorless Micro Four ThirdsCâmera Panasonic Lumix DC-GH5S Mirrorless Micro Four Thirds
Proving that they can push the GH-series even farther into the video realm, the Panasonic Lumix DC-GH5S is a mirrorless Micro Four Thirds camera optimized for movie recording and low-light performance. Revolving around a 10.28MP Digital Live MOS sensor, DCI and UHD 4K video recording is possible at up to 60p and the large individual pixel size also affords impressive low-light performance to an extended ISO 204800, along with Dual Native ISO technology at ISO 400 and ISO 2500. Coupled with an updated Venus Engine, the sensor and processor combination also enables faster readout speeds along with 1.3x less rolling shutter distortion compared to previous GH-series cameras. Internal DCI 4K30p recording is available with 4:2:2 10-bit sampling and a full-size HDMI A connector can be used to simultaneously output to an optional external monitor or recorder. The sensor’s extended sensitivity range has also been used to promote working with V-Log L and Hybrid Log Gamma HDR modes for effectively increasing your dynamic range and affording more flexibility when color grading during post-production.
Beyond its video prowess, the GH5S is no slouch when it comes to stills shooting, either. The sensor and Venus Engine combination enable recording 14-bit raw files with a top continuous shooting rate of 12 fps with single-shot AF, or up to 8 fps with continuous autofocus. Borrowing from the video side, 4K PHOTO modes are also available for shooting 8MP stills at up to 60 fps. Benefitting stills, the Depth-From-Defocus AF system works quickly and accurately using 225 dedicated AF areas, and is sensitive to -5 EV luminance for working in extreme low-light conditions.
Beyond imaging specs, the GH5S retains its professional build quality the GH-series is known for. The magnesium alloy body is fully weather-sealed for working in inclement conditions, and physical controls have been enhanced for easier tactile control. A large 3.68m-dot OLED electronic viewfinder is featured, for high-resolution eye-level monitoring, as well as a rear 3.2″ 1.62m-dot LCD touchscreen with free-angle movement to suit working from high and low angles. Dual UHS-II SD memory card slots are available for flexible file recording and built-in Wi-Fi with NFC and Bluetooth wireless connectivity enable seamless image sharing and remote camera control from a mobile device.
Câmera Panasonic Lumix DMC-G7 Mirrorless Micro Four Thirds com lente 14-42mmCâmera Panasonic Lumix DMC-G7 Mirrorless Micro Four Thirds com lente 14-42mm
Offering true recording versatility, the black Panasonic Lumix DMC-G7 is a true hybrid mirrorless camera that blends 4K UHD video with advanced still capture and burst shooting capabilities. Revolving around a 16 MP Live MOS Micro Four Thirds sensor and Venus Engine 9 image processor, the G7 features notable low-light sensitivity to ISO 25600, continuous shooting to 8 fps with single-shot AF, as well as a trio of 30 fps shooting rates based on the 4K UHD video recording. Complementing the fast burst shooting modes is an equally adept DFD autofocus system, which works to quicken focusing speeds and emphasize accurate subject tracking for consistently sharp imagery in fast-paced and trying working conditions. Rounding out the feature-set of the G7 is a contemporary body design accentuated by physical exposure control dials, six customizable function buttons, both a high-resolution EVF and 3.0″ tilting touchscreen LCD, and built-in Wi-Fi for wireless sharing and remote camera control. Bridging the gap between stills and video, the Lumix DMC-G7 pairs these two high-resolution mediums with refined focusing and shooting controls for the utmost in shooting versatility.
Included with the camera body is the well-rounded Lumix G Vario 14-42mm f/3.5-5.6 II ASPH. MEGA O.I.S. lens, which provides a 28-84mm equivalent focal length range to cover wide-angle to short telephoto perspectives. An Optical Image Stabilizer compensates for camera shake for sharper handheld shooting while a pair of aspherical elements help to minimize the overall lens size and maintain a high degree of sharpness and clarity throughout the zoom range.