Lentes para bocal tipo Micro Four Thirds
7artisans Photoelectric 7.5mm f/2.8 Fisheye Lens for Micro Four Thirds7artisans Photoelectric 7.5mm f/2.8 Fisheye Lens for Micro Four Thirds
Characterized by an expansive 180° angle of view, the Micro Four Thirds 7.5mm f/2.8 Fisheye from 7artisans is an all-manual lens capable of producing unique perspectives and creative distortions. The lens’s f/2.8 maximum aperture benefits working in a variety of lighting conditions and also helps to maintain a small and lightweight form factor for handheld shooting. Multi-layer coatings have been applied to individual glass elements to suppress flare and ghosting for improved contrast and color fidelity when working in strong lighting conditions. Additionally, a built-in petal-shaped lens hood also helps to reduce flare and protects the front element.
Ultra-wide fisheye lens is designed for Micro Four Thirds mirrorless cameras and provides a 15mm equivalent focal length.
Built-in lens hood helps to prevent stray light from causing flare.
Lente 7artisans Fotoelétrica 25mm f / 1.8 para Micro Quatro Terços (Preto)Lente 7artisans Fotoelétrica 25mm f / 1.8 para Micro Quatro Terços (Preto)
Compact and versatile, the Micro Four Thirds-mount 25mm f/1.8 from 7artisans is an all-manual lens well-suited for portraiture, reportage, and everyday shooting requiring a natural field of view. The bright f/1.8 maximum aperture benefits working in a variety of lighting conditions and also offers greater control over depth of field for isolating subjects with selective focus. Multi-layer coatings have been applied to individual glass elements to suppress flare and ghosting for improved contrast and color fidelity when working in strong lighting conditions. Additionally, a rounded 12-blade diaphragm produces a pleasing bokeh quality.
Not compatible with the Olympus OM-D E-M10 Mark III camera.
Compact prime is designed for Mirrorless Four Thirds mirrorless cameras and provides a 50mm equivalent focal length.
Rounded 12-blade diaphragm contributes to a smooth and pleasing bokeh quality.
Lente fixa Rokinon Cine CV12M-MFT 12mm T2.2 Cine para câmeras Olympus / Panasonic Micro 4/3Lente fixa Rokinon Cine CV12M-MFT 12mm T2.2 Cine para câmeras Olympus / Panasonic Micro 4/3
Feita apenas para câmeras sem espelho, a nova lente Cine Rokinon 12mm T2.2 NCS CS de ângulo ultra grande angular. Sua equivalência de distância focal de 35 mm para as câmeras digitais de montagem Olympus e Panasonic Micro 4/3 (MFT) é de 24 mm. Com uma abertura máxima T2.2, é particularmente eficaz na captura com pouca luz e pode controlar a profundidade de campo rasa para um foco preciso do assunto com agradáveis fundos fora de foco. Oferece uma distância mínima de foco de 7,9 “e sua rosca de filtro frontal aceita filtros de tamanho de 67mm. A impressionante construção óptica da lente consiste em três elementos de dispersão extra baixa, um asférico e um elemento asférico híbrido. O revestimento de nano-cristal é aplicado na superfície interna dos dois elementos da lente frontal, para minimizar fantasmas e reflexos e melhorar a clareza geral da imagem.Como uma lente projetada para gravar vídeo em HD, oferece recursos que o diferenciam de “lentes fotográficas”, que, é claro, podem servem também para gravar vídeos HDSLR. No entanto, as lentes Rokinon Cine possuem um anel de abertura sem cliques, que não é apenas silencioso, mas também permite transições suaves entre as paradas e a capacidade de fotografar entre essas paradas. paradas), que é uma medida mais precisa da luz que entra na lente que chega até o sensor de imagem e é uma medida mais consistente de lente para lente. possui abertura de engrenagem e anéis de foco para permitir o uso de aparelhos de tração de foco, como um sistema de acompanhamento de foco.
Lente Panasonic Lumix G 25mm f/1.7 ASPH.Lente Panasonic Lumix G 25mm f/1.7 ASPH.
A fast, normal prime designed for Micro Four Thirds mirrorless cameras, the Lumix G 25mm f/1.7 ASPH. from Panasonic is a 50mm equivalent lens featuring a bright f/1.7 maximum aperture for enhanced low-light shooting and depth of field control. One UHR (Ultra-High Refractive Index) element pairs with two aspherical elements to reduce spherical aberrations and distortions for consistent edge-to-edge sharpness and illumination. A Nano Surface Coating has been applied, too, and helps to reduce flare and ghosting for increased contrast and color fidelity. The optical construction also helps to realize a compact overall form factor, measuring just 2″-long and weighing 4.4 oz. Benefitting both stills and video capture, this lens also incorporates a stepping motor for smooth, quiet autofocus performance that is compatible with Lumix cameras’ high-speed contrast-detection focusing systems.
Designed for Micro Four Thirds mirrorless cameras, this lens provides a 50mm equivalent focal length to represent a normal perspective.
Rounded seven-blade diaphragm produces a smooth out-of-focus quality when working with shallow depth of field techniques.
Lente Panasonic Lumix G X Vario 35-100mm f / 2.8 II POWER O.I.S.Lente Panasonic Lumix G X Vario 35-100mm f / 2.8 II POWER O.I.S.
Spanning a convenient 70-200mm equivalent focal length range, the Lumix G X Vario 35-100mm f/2.8 II POWER O.I.S. Lens from Panasonic is a telephoto zoom designed for Micro Four Thirds mirrorless cameras. Working in conjunction with the versatile portrait-length to telephoto focal length range is a constant f/2.8 maximum aperture that benefits working in a variety of lighting conditions as well as affords notable control over depth of field. A pair of extra-low dispersion elements and one Ultra extra-low dispersion element are featured within the optical design, to reduce fringing and chromatic aberrations, and a Nano Surface Coating has also been applied to suppress ghosting and flare for improved contrast and color fidelity. Complementing the advanced optical design, this lens also features a POWER Optical Image Stabilizer, which is compatible with Dual I.S., and a linear autofocus motor that offers quick, quiet, and near-silent focusing performance to suit video and stills applications. Additionally, this 35-100mm lens also sports a dust, splash, and freezeproof physical design to enable working in trying environmental conditions.
Telephoto zoom for Micro Four Thirds mirrorless cameras, this lens provides a 70-200mm equivalent focal length range.
Rounded seven-blade diaphragm contributes to a smooth and pleasing bokeh quality.
Lente Rokinon 50mm T1.5 AS UMC Cine DS para Micro Quatro TerçosLente Rokinon 50mm T1.5 AS UMC Cine DS para Micro Quatro Terços
The 50mm T1.5 AS UMC Cine DS Lens for Micro Four Thirds from Rokinon is a fast manual focus prime lens. When used on Micro Four Thirds format cameras it offers a 35mm equivalent focal length of 100mm, pushing it into a telephoto angle of view. It provides a very fast maximum aperture of T1.5 for effective low light capture and shallow depth of field control and an 8 blade iris for attractive bokeh. Optimized for cinema and video applications, the focus and aperture control rings are outfitted with industry standard gearing, which provides an interface for working with a traditional follow focus. The aperture control ring has also been de-clicked, which enables smooth iris pulls. In addition, bright aperture and distance markings are printed on the lens barrel facing laterally to facilitate easier control by a focus puller.
The 50mm has a minimum focus distance of 1.5′. Internal focusing minimizes the effects of lens breathing, which insures a more consistent angle-of-view when adjusting focus. The lens is composed of 9 elements in 6 groups, including one aspherical element and one hybrid aspherical element to reduce aberrations. In addition, a lens multi-coating helps to improve light transmission reducing flare and ghosting. The filter thread diameter is 77mm.With this 50mm lens, Rokinon introduces the DS series of cinema lenses, unifying their cine lenses in more than just name. Each of the DS branded lenses will offer the same alignment of their geared focus and aperture rings so that follow focus and other rig accessories won’t need re-adjustment when swapping lenses. Also, each DS lens is tested to be color matched with the other lenses in the series and provide the same color and contrast when shooting video. Lastly, the lenses are marked with focusing scales on each side of the barrel for easier adjustment from either side of the camera.
Filter thread diameter of 77mm
Lente SLR Magic MicroPrime Cine 12mm T2.8 (Montagem Micro Quatro Terços)Lente SLR Magic MicroPrime Cine 12mm T2.8 (Montagem Micro Quatro Terços)
Choosing a smaller size over bulk and weight, the SLR Magic MicroPrime Cine 12mm T2.8 Lens covers MFT sensors and features a Micro Four Thirds mount. Suitable for 4K origination, each lens in the MicroPrime Cine series features similar size and weight with consistent lens gear positions for rapid lens changes and easier rebalancing when changing lenses on a gimbal.
The lens provides a pleasing bokeh with natural-looking out-of-focus highlights. The lens has an internal focus design so the front of the lens doesn’t rotate when focusing, and it has an 82mm filter thread for compatibility with a wide number of filter options.
Each lens in the MicroPrime Cine series features similar balance characteristics, minimizing recalibration when switching lenses while your camera is on a gimbal.
An 82mm front filter thread enables mounting filters directly to the lens without using a matte box.
Meike 12mm T2.2 Manual Focus Wide Angle Cinema Lens (MFT Mount)Meike 12mm T2.2 Manual Focus Wide Angle Cinema Lens (MFT Mount)
The MFT-mount 12mm T2.2 Manual Focus Wide Angle Cinema Lens from Meike is a bright cine prime suitable for up to high-resolution cine cameras. Top features include low-dispersion glass, a high refractive index, and little to no focus breathing. The fast aperture allows working in difficult lighting conditions and offers increased control over depth of field, allowing for smooth, circular bokeh. The lens produces results with low distortion, while its multilayer coating reduces flare and ghosting for greater contrast and color accuracy.
With an all-metal housing, this manual focus lens also has a robust design. The minimum focus distance from the image plane is 8.7″, so you can get very close to your subject and achieve close-up wide-angle shots with sharp focus. The lens is designed with focus and aperture markings on both sides of the lens in feet and inches.
- MFT mount 12mm wide angle cine prime lens
- Low-dispersion glass, high refractive index, low distortion
- Multilayer coating
- 8.7″ minimum focus distance
- 270° focus rotation
- 77mm filter thread
- 15 elements in 10 groups
- Manual focus and aperture
- Scale markings on both sides
- All-metal housing
Meike 25mm T2.2 Manual Focus Prime Mini Cinema Lens for MFTMeike 25mm T2.2 Manual Focus Prime Mini Cinema Lens for MFT
- MFT Mount Cinema Lens
- Aperture Range: T2.2 to T22
- Multilayer Coating
- Manual Focus Design
- Metal Lens Barrel
Meike 35mm T2.2 Manual Focus Cinema Lens (MFT Mount)Meike 35mm T2.2 Manual Focus Cinema Lens (MFT Mount)
A lente cine Meike MK-35mm T2.2 é um dos conjuntos de lentes Meike Cine: MK-12mm T2.2, MK-16mm T2.2, MK-25mm T2.2, MK-35mm T2.2, MK-50mm T2.2, MK-65mm T2.2, MK-85mm T2.2
Ampla abertura de T2.2, distância mínima de foco de 51cm, constituição de lentes de 10 elementos em 8 grupos, capaz de fornecer vídeo nítido e claro
Com cobertura total nos sensores Super 35 e APSC; A distância focal equivalente é de 75 mm nos corpos das câmeras de montagem Micro 4/3
Respiração mínima, forneça imagem com bokeh circular suave e pouca ou nenhuma respiração focalizada
Compatível com câmeras Panasonic Lumix Micro 4/3 MFT OLYMPUS, como GH5 e BMPCC, BMPCC 4K, Zcam E2
Funciona com a câmera sem espelho Olympus E-P1 E-PL1 E-P2 E-PL2 E-P3 E-PL3 E-PL5 E-PM1 E-PM2 OM-D E-M5 E-P5 OM-D E-M1 OMD-EM10 e outras câmeras Olympus Micro 4/3
Panasonic Lumix G9 G1 G2 G3 G5 GF1 GF2 GF3 GF5 GF6 GF7 GH1 GH2 GH3 GH5 G6 GX1 GX7 GX8 GH4 GM1 GM5 -D E-M5 E-P5 OM-D E-M1 OMD-EM10 e outros Panasonic Lumix Micro M4 / 3 MFT máquinas fotográficas
BMPCC, BMPCC 4K
Zcam Cinema: câmeras de montagem E2 MFT
Meike MK-25mm f/1.8 Lens for Micro Four ThirdsMeike MK-25mm f/1.8 Lens for Micro Four Thirds
Providing a natural field of view, the Micro Four Thirds-mount MK-25mm f/1.8 from Meike is a versatile lens, suitable for a range of subjects from portraits to landscapes. The bright f/1.8 maximum aperture enables working in difficult lighting conditions and also offers increased control over depth of field for isolating subject matter with selective focus. Additionally, this manual focus lens permits working with subjects as close as 9.8″ away and printed focusing and depth of field scales aid with zone- and pre-focusing techniques.
Meike MK-35mm f / 1.7 para MFTMeike MK-35mm f / 1.7 para MFT
A simple yet impressively versatile lens, the Micro Four Thirds-mount MK-35mm f/1.7 Lens from Meike is a 70mm equivalent prime characterized by its bright f/1.7 maximum aperture to suit working in low-light conditions and for achieving shallow depth of field effects. Individual lens elements feature a multi-layer nano coating to control surface reflections, flare, and ghosting in order to realize a high degree of contrast and color accuracy, even when working in bright and backlit conditions. Additionally, the lens sports a manual focus design for working with subjects as close as 11.8″ away.
This 35mm f/1.7 lens is designed for Micro Four Thirds mirrorless cameras and provides a 70mm equivalent focal length.
All-metal construction is durable and depth of field and focus distance scales have been engraved on the lens barrel for pre-focusing needs.
Meike MK-50mm f/2 Lens for Micro Four ThirdsMeike MK-50mm f/2 Lens for Micro Four Thirds
A flexible prime, the Micro Four Thirds-mount MK-50mm f/2 Lens from Meike is a 100mm equivalent lens characterized by its bright f/2 maximum aperture to suit working with selective focus techniques as well as in difficult lighting conditions. A multi-layer nano coating has been applied to individual elements to suppress flare and ghosting for improved contrast and color accuracy. Additionally, the lens has a manual focus design for working with subjects as close as 2.1′ away and a 9-blade diaphragm contributes to a pleasing bokeh quality.
This 50mm f/2 lens is designed for Micro Four Thirds mirrorless cameras and provides a 100mm equivalent focal length.
Panasonic LUMIX G 14mm f/2.5 ASPH IIPanasonic LUMIX G 14mm f/2.5 ASPH II
Assuming a truly thin profile of just 0.8″-thick, the Panasonic LUMIX G 14mm f/2.5 ASPH II Lens is a sleek wide-angle prime designed for Micro Four Thirds system cameras. Offering a 28mm-equivalent focal length, this lens takes on a wider-than-normal perspective to benefit its use in a broad variety of shooting situations. A stepping motor provides quick, quiet autofocus performance that is beneficial to both movie and still recording and an inner focusing system maintains the overall lens length during operation for greater responsiveness. This compact and versatile lens is an ideal option for everyday use.
The optical design comprises six elements in five groups, which includes three aspherical elements to minimize chromatic aberrations and distortions for greater image clarity and a reduction in color fringing. Additionally, a multi-coating has been applied to the lens elements to minimize surface reflections, flare, and ghosting for increased contrast and color neutrality. A rounded seven-blade diaphragm contributes to a pleasing out-of-focus quality when using selective focus techniques and an all-metal lens mount offers enhanced durability and mounting precision.
The metal lens mount affords consistent mounting precision as well as enhanced durability.