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FotodioX Lens Mount Adapter for Pentax K-Mount Lens to Select Canon EOS EF-S-Mount Cameras
$23,99
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Informação adicional
| Peso | 0,05000 kg |
|---|
Fale conosco:
contato@brazilbox.us
Whatsapp: +55 (67) 98140-5230
$23,99
Fora de estoque
| Peso | 0,05000 kg |
|---|
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The 21mm Ultra-Wide Conversion Lens for FE 28mm f/2 Lens from Sony broadens the angle-of-view of the 28mm f/2 lens to 92º for an ultra wide focal length equivalence of 21mm when used with full-frame cameras. As this converter lens is uniquely compatible with the FE 28mm f/2 lens, it transmits EXIF data through the host lens to the camera. The optical design of the converter lens is comprised of 4 elements in 4 groups and when on the 28mm lens, it provides a maximum aperture of f/2.8 and a minimum manual focus distance of 7.9″. When the lens is used with an APS-C E-Mount camera, the converter lens provides a 68° angle of view and a 31.5mm focal length equivalent. It is a compact addition to the 28mm lens with a bayonet mount and features a built-in petal-type lens hood.
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This B&H Kit provides four lenses that you can use to shoot images from wide shots to portrait; it includes Rokinon’s 16mm, 35mm, 50mm, and 85mm Cine DS Lenses for Canon EF Mount that feature sharp optics and similar physical characteristics for fast lens changes. The 16mm lens covers APS-C-sized sensors and features a maximum T-Stop of 2.2. The 35, 50, and 85mm lenses share a T-Stop range of 1.5 to 22 and cover full sized lenses. The lenses are suitable for shooting using available light, and as they all share the same exposure range, there is no worry when changing lenses you will also have to change your lighting or camera settings.
Aperture and focus scales are marked on both sides of the lens, which makes it easier for a focus puller to work either side of the lens. The lenses feature a multi-layer coating providing good contrast, a sharp image, and protection from veiling glare. Industry standard focus and iris gear rings share a common position across the lenses for quick lens swaps when working with lens accessories such as follow focus units. Focus and iris are manual only with no electronic focus or iris control by the camera, and the iris ring is de-clicked, which allows you to make smooth iris pulls during a shot.
Utilizing a multi-layer coating process for consistent color rendition from lens to lens, the Rokinon 16mm T2.2 Cine DS Lens answers the challenge of assembling a set of lenses over time. The lens comes in Canon EF mount, and it features industry standard geared focus and iris rings that share common position with other Rokinon Cine DS lenses. To aid focus pullers who have to work both sides of the lens, the aperture and focus scales are marked on both sides of the lens.
This 16mm lens produces a 79.5° angle-of-view when used with a camera with an APS-C sized sensor. Hybrid aspherical lenses render sharply defined images with a minimum of distortion and chromatic aberrations, and it features a minimum focus distance of 7.9″‘ from the lens. A removable petal shaped lens hood provides flare protection when shooting without a matte box, and the lens’s threaded front accepts 77mm filter rings.
Ultra Multi Coated lenses minimize flare and ghosting, and the lenses are color matched to a standard eliminating the need to acquire an entire set of lenses at the same time.
The lens opens up to T2.2, providing the capability for low light shooting or creating shallow depth of field.
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A simple yet impressively versatile lens, the Sony E-mount MK-35mm f/1.7 Lens from Meike is a 52.5mm equivalent prime characterized by its bright f/1.7 maximum aperture to suit working in low-light conditions and for achieving shallow depth of field effects. Individual lens elements feature a multi-layer nano coating to control surface reflections, flare, and ghosting in order to realize a high degree of contrast and color accuracy, even when working in bright and backlit conditions. Additionally, the lens sports a manual focus design for working with subjects as close as 11.8″ away.
This 35mm f/1.7 lens is designed for APS-C-format Sony E-mount mirrorless cameras and provides a 52.5mm equivalent focal length.
All-metal construction is durable and depth of field and focus distance scales have been engraved on the lens barrel for pre-focusing needs.
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