Detalhes dos Produtos
K&F Concept Lens Mount Adapter for Nikon F/AF AI AI-S Lens to Canon EOS EF EF-S Mount Cameras
$39,99
DISPONÍVEL POR ENCOMENDA (15 dias úteis + Frete no Brasil)
Informação adicional
| Peso | 0,200 kg |
|---|
Fale conosco:
contato@brazilbox.us
Whatsapp: +55 (67) 98140-5230
$39,99
DISPONÍVEL POR ENCOMENDA (15 dias úteis + Frete no Brasil)
| Peso | 0,200 kg |
|---|
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This Auto Lens Adapter from Vello allows a Canon EF or EF-S mount lens to be used on a Canon RF-mount camera. Electronic communication between an attached camera and lens is supported, enabling autofocus as well as auto exposure features. Image Stabilization is supported when used with natively IS-enabled product combinations. If an attached lens is capable of generating Exif metadata, this adapter is designed to transfer that information so that it can be saved with image files generated by the combined Canon EF or EF-S mount lens and Canon-RF mount camera.
Constructed from aluminum alloy, this adapter is durable while remaining lightweight, and an internal, matte black coating minimizes the appearance of reflections within the adapter barrel. To help reduce stress on the camera mount when placed on a tripod, the adapter includes a detachable tripod foot with 1/4″-20 threads.
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Capture 4K images on a full-frame sensor with this SLR Magic MicroPrime Cine Lens Kit put together by B&H. The set includes 25, 35, 50, and 75mm MicroPrime Cine lenses that share characteristics such as a similar size and weight, consistent gear positions, full-frame sensor support, a 13-blade iris, internal focus design, an 85mm front diameter, and an 82mm front filter thread which make changing focal lengths a breeze while shooting. All four lenses feature a Sony E-mount.
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Presenting impressive reach in a relatively compact design, the Sony E-mount 100-400mm f/5-6.3 DG DN OS Contemporary lens, from Sigma, is a versatile telephoto zoom mixing a hand-holdable design with apt optical performance. A series of low dispersion glass elements are used to achieve high clarity and color accuracy throughout the zoom range, and to suppress chromatic aberrations and color fringing. Complementing the optics is intuitive handling, in which a stepping motor delivers fast, near-silent autofocus performance along with fine-tuned manual focus control. Additionally, four stop-effective optical image stabilization helps to reduce the appearance of camera shake for sharper handheld shooting and this 100-400mm is also compatible with the optional TS-111 Tripod Socket for steady shooting atop a tripod or monopod.
As part of the Contemporary line within Sigma’s Global Vision series, this lens is designed to achieve a balance between convenience and performance, and meshes a compact, lightweight build and versatile handling with notable optical attributes.
Compatible with optional TS-111 Tripod Socket for working atop a tripod or monopod; the included PT-31 Protective Cover can be attached to the lens to maintain a seamless appearance if the tripod socket is not used.
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Described as “weird but genius,” the Canon EF-mount Laowa 24mm f/14 Probe from Venus Optics is a truly unique lens designed for close-up shooting. Distinguished by its long, slender lens barrel, this macro lens provides a 2:1 maximum magnification with a 1.5′ minimum focusing distance and a close 0.8″ minimum working distance. Even with such a close working distance, the lens measures 1.3′ long, placing you at a comfortable distance to photograph nearby subjects. Also, as a wide-angle lens, greater depth of field is afforded when compared to traditional telephoto macro lenses, which allows for greater detail in the background with less subject isolation.
The optical design includes both extra-low dispersion and extra refractive index elements, which help to suppress chromatic and spherical aberrations for a high degree of clarity, color accuracy, and sharpness. Manual focus control permits focusing from 1.5′ to infinity, and the front of the lens has a built-in LED ring light to aid in focusing at close distances. The slim 0.2″ diameter of the front of the lens barrel also offers greater opportunities for lighting subjects from the front. Additionally, the front portion of the lens is waterproof, and permits working with subjects just beneath the surface of water or in other dusty or trying environments.
Wide-angle prime is designed for full-frame Canon EF-mount cameras, however can also be used with APS-C models where it will provide a 38.4mm equivalent focal length.
Seven-blade diaphragm contributes to a pleasing bokeh quality.
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A flexible workhorse of a lens, the XF 16-55mm f/2.8 R LM WR from FUJIFILM is a versatile standard zoom spanning a 24-84mm equivalent, wide-angle to portrait-length range. Characterized by its bright f/2.8 constant maximum aperture, this lens is adept in difficult lighting conditions and also offers notable control over depth of field. Its optical design comprises both aspherical and extra-low dispersion elements, which help to reduce distortion and color fringing for improved sharpness and color accuracy throughout the zoom range. Nano-GI and HT-EBC coatings have also been applied to elements to minimize surface reflections and prevent lens flare and ghosting.
Complementing the optical attributes is a Twin Linear Motor autofocus system, which offers impressively quick, quiet, and precise focusing that benefits both stills and video applications. Additionally, the lens has a fully weather-sealed design to support its use in trying environmental conditions.
Standard zoom is designed for APS-C-format Fujifilm X-mount mirrorless cameras and offers a 24-84mm equivalent focal length range.
Rounded nine-blade diaphragm contribute to a pleasing out-of-focus quality to benefit the use of selective focus and shallow depth of field techniques.
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