Detalhes dos Produtos
K&F Concept Lens Mount Adapter for Nikon F/AF AI AI-S Lens to Canon EOS EF EF-S Mount Cameras
$39,99
DISPONÍVEL POR ENCOMENDA (15 dias úteis + Frete no Brasil)
Informação adicional
| Peso | 0,200 kg |
|---|
Produtos Relacionados
Zhiyun-Tech TransMount Max Servo Zoom/Focus Controller for Crane 3-Lab/WEEBIL-S/WEEBILL LAB
Zhiyun-Tech TransMount Max Servo Zoom/Focus Controller for Crane 3-Lab/WEEBIL-S/WEEBILL LABThe Zhiyun-Tech TransMount Max Servo Zoom/Focus Controller can be used interchangeably for zoom and focus control on the CRANE 3 LAB, CRANE 2S, WEEBILL-S, and WEEBILL LAB gimbals. It has a powerful-enough motor to control zoom, whereas the lighter-weight TransMount Lite is designed for focus control only.
The CRANE 3 LAB and CRANE 2S support up to two motors at the same time, and it’s recommended to use the TransMount Max and TransMount Lite together if requiring both zoom and focus control on the CRANE. The WEEBILL-S and WEEBIL LAB, however, support only one motor, so the TransMount Max is recommended as the only solution because it can be used interchangeably for both functions.
Featuring a toolless design, the TransMount Max attaches on the gimbal using just the included thumbscrews. It can be controlled via the gimbal handwheel or the companion smartphone app. Secure it to the supplied support bracket and mounting rod using two thumbscrews, and attach this assembly to the bottom of the gimbal’s baseplate with the third thumbscrew. Then, connect the servo to the gimbal with the provided USB cable, and connect the camera to the gimbal with one of the camera control cables the gimbal comes with. The USB cable connection provides zero-latency signal transmission.
FUJIFILM XF 16-55mm f/2.8 R LM WR Lens
FUJIFILM XF 16-55mm f/2.8 R LM WR LensA flexible workhorse of a lens, the XF 16-55mm f/2.8 R LM WR from FUJIFILM is a versatile standard zoom spanning a 24-84mm equivalent, wide-angle to portrait-length range. Characterized by its bright f/2.8 constant maximum aperture, this lens is adept in difficult lighting conditions and also offers notable control over depth of field. Its optical design comprises both aspherical and extra-low dispersion elements, which help to reduce distortion and color fringing for improved sharpness and color accuracy throughout the zoom range. Nano-GI and HT-EBC coatings have also been applied to elements to minimize surface reflections and prevent lens flare and ghosting.
Complementing the optical attributes is a Twin Linear Motor autofocus system, which offers impressively quick, quiet, and precise focusing that benefits both stills and video applications. Additionally, the lens has a fully weather-sealed design to support its use in trying environmental conditions.
Standard zoom is designed for APS-C-format Fujifilm X-mount mirrorless cameras and offers a 24-84mm equivalent focal length range.
Constant f/2.8 maximum aperture offers consistent performance throughout the zoom range and excels when working in difficult lighting conditions.
Three extra-low dispersion elements are used to greatly reduce color fringing and chromatic aberrations in order to produce high clarity and color fidelity throughout the zoom range.
Three aspherical elements control distortion and spherical aberrations, which helps to improve sharpness and realize more accurate rendering.
Nano-GI (Gradient Index) coating has been applied to lens elements and alters the refractive index between the glass and air in order to better suppress lens flare and ghosting for diagonal incident light.
An HT-EBC (High Transmittance Electron Beam Coating) coating has been applied to the entire surface of each element for controlling ghosting and flare for greater contrast and color accuracy.
A Twin Linear Motor autofocus system delivers smooth, near-silent performance that is especially beneficial to video applications and when working in noise-sensitive areas.
The lens body incorporates extensive weather sealing to protect against dust and moisture, and to enable worry-free use in inclement conditions and freezing temperatures as low as 14°F.
Rounded nine-blade diaphragm contribute to a pleasing out-of-focus quality to benefit the use of selective focus and shallow depth of field techniques.
Vello Auto Lens Adapter for Canon EF/EF-S Lens to Canon RF-Mount Camera
Vello Auto Lens Adapter for Canon EF/EF-S Lens to Canon RF-Mount CameraThis Auto Lens Adapter from Vello allows a Canon EF or EF-S mount lens to be used on a Canon RF-mount camera. Electronic communication between an attached camera and lens is supported, enabling autofocus as well as auto exposure features. Image Stabilization is supported when used with natively IS-enabled product combinations. If an attached lens is capable of generating Exif metadata, this adapter is designed to transfer that information so that it can be saved with image files generated by the combined Canon EF or EF-S mount lens and Canon-RF mount camera.
Constructed from aluminum alloy, this adapter is durable while remaining lightweight, and an internal, matte black coating minimizes the appearance of reflections within the adapter barrel. To help reduce stress on the camera mount when placed on a tripod, the adapter includes a detachable tripod foot with 1/4″-20 threads.
- Allows a Canon EF or EF-S mount lens to be used on a Canon RF-mount camera
- Supports electronic communication to enable autofocus as well as auto exposure features
- Supports existing image stabilization functionality for enabled camera body and lens combinations
- Can transfer Exif data from lens to camera, saving aperture, speed, and time of capture information to image or video files
- Internal, black matte coating minimizes the appearance of reflections within the adapter barrel
- Detachable tripod foot with 1/4″-20 threads can be used to reduces stress on a connected camera’s mount
- Lightweight and durable metal construction
Rokinon 16, 35, 50, 85mm Cine DS Lens Bundle for Canon EF Mount
Rokinon 16, 35, 50, 85mm Cine DS Lens Bundle for Canon EF MountThis B&H Kit provides four lenses that you can use to shoot images from wide shots to portrait; it includes Rokinon’s 16mm, 35mm, 50mm, and 85mm Cine DS Lenses for Canon EF Mount that feature sharp optics and similar physical characteristics for fast lens changes. The 16mm lens covers APS-C-sized sensors and features a maximum T-Stop of 2.2. The 35, 50, and 85mm lenses share a T-Stop range of 1.5 to 22 and cover full sized lenses. The lenses are suitable for shooting using available light, and as they all share the same exposure range, there is no worry when changing lenses you will also have to change your lighting or camera settings.
Aperture and focus scales are marked on both sides of the lens, which makes it easier for a focus puller to work either side of the lens. The lenses feature a multi-layer coating providing good contrast, a sharp image, and protection from veiling glare. Industry standard focus and iris gear rings share a common position across the lenses for quick lens swaps when working with lens accessories such as follow focus units. Focus and iris are manual only with no electronic focus or iris control by the camera, and the iris ring is de-clicked, which allows you to make smooth iris pulls during a shot.
Rokinon 16mm T2.2 Cine DS Lens for Canon EF Mount for APS-C
Utilizing a multi-layer coating process for consistent color rendition from lens to lens, the Rokinon 16mm T2.2 Cine DS Lens answers the challenge of assembling a set of lenses over time. The lens comes in Canon EF mount, and it features industry standard geared focus and iris rings that share common position with other Rokinon Cine DS lenses. To aid focus pullers who have to work both sides of the lens, the aperture and focus scales are marked on both sides of the lens.
This 16mm lens produces a 79.5° angle-of-view when used with a camera with an APS-C sized sensor. Hybrid aspherical lenses render sharply defined images with a minimum of distortion and chromatic aberrations, and it features a minimum focus distance of 7.9″‘ from the lens. A removable petal shaped lens hood provides flare protection when shooting without a matte box, and the lens’s threaded front accepts 77mm filter rings.
Ultra Multi Coated lenses minimize flare and ghosting, and the lenses are color matched to a standard eliminating the need to acquire an entire set of lenses at the same time.
Industry-standard gearing for focus and aperture rings. Each lens in the Rokinon DS series share common focus and iris gear ring positions, which speeds up lens changes as accessories, such as follow focus units or iris motors, don’t have to be re-positioned.
The lens features an internal focus mechanism, so the front of the lens doesn’t rotate when changing focus, allowing you to use filters and clip-on matte boxes without vignetting as you change (pull) focus.
The lens features an 8 bladed iris that provides round out of focus highlights and a natural looking Bokeh. The declicked aperture ring allows for smooth iris pulls.
A removable lens hood provides flare protection without a matte box.
The lens opens up to T2.2, providing the capability for low light shooting or creating shallow depth of field.
Fringer EF-FX Pro II Lens Mount Adapter for EF- or EF-S-Mount Lens to Fujifilm X-Mount Camera
Fringer EF-FX Pro II Lens Mount Adapter for EF- or EF-S-Mount Lens to Fujifilm X-Mount CameraThis EF-FX Pro II Lens Mount Adapter from Fringer allows you to use a Canon EF or EF-S mount lens on a Fuji X-mount body. It features native support for in-camera aperture adjustment and for phase-detection autofocus. In addition to the in-camera aperture controls, the aperture may also be adjusted using the electronic aperture ring located on the adapter itself.
While this adapter will work with all X-mount cameras, it is especially well suited for use with cameras utilizing the X-Trans II or III CMOS sensors as the autofocus will perform more quickly and reliably on those camera models.
Venus Optics Laowa 24mm f/14 Probe Lens for Canon EF
Venus Optics Laowa 24mm f/14 Probe Lens for Canon EFDescribed as “weird but genius,” the Canon EF-mount Laowa 24mm f/14 Probe from Venus Optics is a truly unique lens designed for close-up shooting. Distinguished by its long, slender lens barrel, this macro lens provides a 2:1 maximum magnification with a 1.5′ minimum focusing distance and a close 0.8″ minimum working distance. Even with such a close working distance, the lens measures 1.3′ long, placing you at a comfortable distance to photograph nearby subjects. Also, as a wide-angle lens, greater depth of field is afforded when compared to traditional telephoto macro lenses, which allows for greater detail in the background with less subject isolation.
The optical design includes both extra-low dispersion and extra refractive index elements, which help to suppress chromatic and spherical aberrations for a high degree of clarity, color accuracy, and sharpness. Manual focus control permits focusing from 1.5′ to infinity, and the front of the lens has a built-in LED ring light to aid in focusing at close distances. The slim 0.2″ diameter of the front of the lens barrel also offers greater opportunities for lighting subjects from the front. Additionally, the front portion of the lens is waterproof, and permits working with subjects just beneath the surface of water or in other dusty or trying environments.
Wide-angle prime is designed for full-frame Canon EF-mount cameras, however can also be used with APS-C models where it will provide a 38.4mm equivalent focal length.
Unique macro lens design offers a greater-than-life-size 2:1 maximum magnification along with a minimum focusing distance of 1.5′ and a working distance of just 0.8″.
The long, tubular lens barrel contributes to producing a distinct bug-eye perspective and, despite the short working distance, the length of the lens barrel places the camera at a comfortable shooting distance.
Wide-angle 24mm focal length affords greater depth of field and more surrounding detail than traditional telephoto macro designs, which tend to isolate subject matter with shallow depth of field.
Optical design includes two extra-low dispersion elements that control color fringing and chromatic aberrations in order to produce greater clarity and color accuracy. One extra refractive index element is also featured, which reduces spherical aberrations and distortion for improved sharpness and accurate rendering.
Slim 0.8″ front diameter allows performing unique “slide-in” shots as well as affords a greater range of close-up, inconspicuous shooting opportunities. The smaller front diameter also makes it easier to illuminate close-up subjects from the front.
The front of the lens is also waterproof, allowing you to comfortably work just under the surface of water or in dusty environments.
The front of the lens also has a built-in LED ring light, which is powered via a micro-USB port on the barrel, to provide some illumination on close-up subjects for easier focusing.
Designed for use as a close-up, macro lens, the manual focus operation also lets you focus at infinity.
Seven-blade diaphragm contributes to a pleasing bokeh quality.
