Covering both wide landscapes and tight portraits, the Vario-Tessar T* E 16-70mm f/4 ZA OSS Lens from Sony is a great all-around choice for APS-C-format E-mount cameras. It offers a very versatile 24-105mm equivalent zoom range and even features a constant f/4 aperture for consistent performance. Also, through the use of one extra-low dispersion element, one Advanced Aspherical, and three aspherical elements, users will enjoy sharp, aberration-free imagery. Furthermore, the lens benefits from Zeiss’ T* anti-reflective coating to effectively eliminate ghosting and flare.
For fast, silent autofocus, the 16-70mm is equipped with a linear motor and uses an internal focus design. It also has Optical SteadyShot image stabilization to reduce the effects of camera shake, especially at longer focal lengths. Additionally, the lens can focus as close as 13.8″ and it has a seven-blade circular diaphragm for smooth bokeh.
Based on the Zeiss Tessar optical concept, this lens uses a design with 16 elements in 12 groups that helps ensure a smaller overall lens size along with reduced flaring, distortion, and chromatic aberrations.
A versatile mid-range zoom for APS-C-format E-mount cameras, this 16-70mm lens provides a wide-angle to short telephoto 24-105mm equivalent focal length that works for anything from vast landscapes to tight portraits to distant subjects.
A constant f/4 maximum aperture offers consistent performance throughout the zoom range and also lends greater control over focus position for shallow depth of field techniques.
Zeiss T* anti-reflective coatings have been applied to each lens surface to help minimize reflections in order to provide greater image clarity, contrast, and color fidelity.
One extra-low dispersion glass element is featured in the lens design to help reduce chromatic aberrations and color fringing for improved clarity and color neutrality.
Four aspherical elements, including one Advanced Aspherical (AA), are incorporated in the lens design to reduce astigmatism, field curvature, coma, and other monochromatic aberrations.
Optical SteadyShot image stabilization helps to minimize the appearance of camera shake for sharper imagery when shooting handheld with slower shutter speeds. This stabilization system can also be combined with select camera’s sensor-shift type image stabilization for more effective control of camera blur.
A linear autofocus motor and internal focus design provide quick and precise autofocus performance and enables accurate and silent focusing while recording videos.
Rounded seven-blade diaphragm contributes to a pleasing bokeh quality when employing selective focus techniques.
The SLR Magic HyperPrime 50mm T0.95 Lens with MFT Mount is exceptionally fast, making it suitable for extremely low light filming. It supports a cine-style workflow when shooting on a camera with an MFT mount. It features a T0.95 to T16 iris range, with a clickless iris that allows smooth iris pulls, and geared focus and aperture rings.
The lens features a dedicated MFT mount, providing a 35mm equivalent field of view of 100mm on a Four Thirds-sized sensor. With an 88.8mm length, 72.2mm diameter, and a 12-blade iris, the lens is compact and functional.
A comfortable wide-angle prime for Micro Four Thirds, the Laowa 17mm f/1.8 MFT is characterized by its especially sleek and lightweight design, making it ideal for use as a walkaround and travel lens. Despite its compactness, it sports a bright f/1.8 design for working in difficult lighting and the 34mm-equivalent wide-angle field of view suits working with subjects ranging from landscapes to portraits. One Super ED element is featured in the optical design and helps to reduce chromatic aberrations and color fringing for high clarity and color accuracy. Additionally, a Frog Eye Coating has also been applied to the front element to guard against water and dust, and the lens’s manual focus design permits working with subjects as close 5.9″ away.
Wide-angle prime is designed for Micro Four Thirds mirrorless cameras and provides a 34mm equivalent focal length.
Bright f/1.8 maximum aperture benefits working in dark and difficult lighting conditions.
One Super ED (extra-low dispersion) element is featured to minimize chromatic aberrations and color fringing for clearer and more color-accurate imagery.
Frog Eye Coating has been applied to the front element to help repel water and dust.
Manual focus design permits working with subjects as close as 5.9″ away.
Built-in petal-shaped lens hood blocks stray light from causing flare and also offers some physical protection to the front of the lens.
This EF-FX Pro II Lens Mount Adapter from Fringer allows you to use a Canon EF or EF-S mount lens on a Fuji X-mount body. It features native support for in-camera aperture adjustment and for phase-detection autofocus. In addition to the in-camera aperture controls, the aperture may also be adjusted using the electronic aperture ring located on the adapter itself.
While this adapter will work with all X-mount cameras, it is especially well suited for use with cameras utilizing the X-Trans II or III CMOS sensors as the autofocus will perform more quickly and reliably on those camera models.
This Pro Lens Adapter from Fotodiox enables the use of your M42 lenses on Canon EF-mount DSLR cameras. It features a durable brass construction with stainless steel finish, a leaf spring ensures a secure connection between the lens and adapter, and its design also maintains infinity focus.
This manual adapter does not maintain automatic lens control between the camera and lens; aperture priority or manual shooting modes should be used, as well as stop-down metering for exposure control.