Covering both wide landscapes and tight portraits, the Vario-Tessar T* E 16-70mm f/4 ZA OSS Lens from Sony is a great all-around choice for APS-C-format E-mount cameras. It offers a very versatile 24-105mm equivalent zoom range and even features a constant f/4 aperture for consistent performance. Also, through the use of one extra-low dispersion element, one Advanced Aspherical, and three aspherical elements, users will enjoy sharp, aberration-free imagery. Furthermore, the lens benefits from Zeiss’ T* anti-reflective coating to effectively eliminate ghosting and flare.
For fast, silent autofocus, the 16-70mm is equipped with a linear motor and uses an internal focus design. It also has Optical SteadyShot image stabilization to reduce the effects of camera shake, especially at longer focal lengths. Additionally, the lens can focus as close as 13.8″ and it has a seven-blade circular diaphragm for smooth bokeh.
Based on the Zeiss Tessar optical concept, this lens uses a design with 16 elements in 12 groups that helps ensure a smaller overall lens size along with reduced flaring, distortion, and chromatic aberrations.
A versatile mid-range zoom for APS-C-format E-mount cameras, this 16-70mm lens provides a wide-angle to short telephoto 24-105mm equivalent focal length that works for anything from vast landscapes to tight portraits to distant subjects.
A constant f/4 maximum aperture offers consistent performance throughout the zoom range and also lends greater control over focus position for shallow depth of field techniques.
Zeiss T* anti-reflective coatings have been applied to each lens surface to help minimize reflections in order to provide greater image clarity, contrast, and color fidelity.
One extra-low dispersion glass element is featured in the lens design to help reduce chromatic aberrations and color fringing for improved clarity and color neutrality.
Four aspherical elements, including one Advanced Aspherical (AA), are incorporated in the lens design to reduce astigmatism, field curvature, coma, and other monochromatic aberrations.
Optical SteadyShot image stabilization helps to minimize the appearance of camera shake for sharper imagery when shooting handheld with slower shutter speeds. This stabilization system can also be combined with select camera’s sensor-shift type image stabilization for more effective control of camera blur.
A linear autofocus motor and internal focus design provide quick and precise autofocus performance and enables accurate and silent focusing while recording videos.
Rounded seven-blade diaphragm contributes to a pleasing bokeh quality when employing selective focus techniques.
This Lens Mount Adapter from Viltrox allows a Nikon F-Mount, D or G-Type lens to be mounted onto a Micro Four Thirds camera. While doing so, the adapter’s optics help to maximize the connected lens’s apparent angle of view while providing a one-stop increase for the camera over the lens’s aperture range.
If a lens intended for larger camera sensors is connected to a Micro Four Thirds camera, it would project an image larger than the camera’s sensor was built to accept. Able to capture only the center portion of the projected image, the effective angle of view of the lens would be narrowed, creating an in-camera “crop factor.” This adapter condenses the light from an attached lens and projects it onto a Micro Four Thirds camera’s sensor. This allows the camera sensor to utilize more of the light gathered by a connected lens, which effectively reduces the crop factor while making available to the sensor an additional one stop of light for each of the lens’s f/stop settings.
This adapter supports manual focusing and eight stops of aperture control. It is constructed with five lens elements in four groups that are designed to provide optical clarity as well as color fidelity, and the underside of its removeable tripod foot is tapped with a 1/4″-20 accessory thread, enabling direct attachment to a tripod or quick release plate that feature 1/4″-20 mounts.
Maximizes apparent angle of view of combined camera and lens
Provides a one-stop increase for the camera over the lens’s aperture range
Five lens elements in four groups for optical clarity as well as color fidelity
Allows manual focus and eight stops of aperture control
Removeable tripod foot with 1/4″-20 accessory thre
This Pro Lens Adapter from Fotodiox enables the use of your M42 lenses on Canon EF-mount DSLR cameras. It features a durable brass construction with stainless steel finish, a leaf spring ensures a secure connection between the lens and adapter, and its design also maintains infinity focus.
This manual adapter does not maintain automatic lens control between the camera and lens; aperture priority or manual shooting modes should be used, as well as stop-down metering for exposure control.
Don’t waste time pulling a lens out of your bag or swapping optics with the Lensbaby Trio 28mm f/3.5 Lens. This pancake-style lens incorporates a rotating front that holds Twist, Velvet, and Sweet optics for selecting different effects at a moment’s notice. The Twist uses a Petzval-inspired design for a sharp center area surrounded by a swirl of twisty bokeh. Velvet has a dreamy central area with a soft focus look along with a soft glow. Sweet creates a sharp spot of focus in the center with a gradual fall-off to blur. All these can be carried without stuffing your bag with a variety of miscellaneous equipment.
Available here for Sony E-mount cameras, the Trio will provide a wide-angle perspective that is well-suited to street photography. Also, it has a fixed f/3.5 optic that ensures predictable looks in a variety of situations. All the optics are multi-coated for minimal flare and ghosting and a manual focusing ring is included for focusing anywhere from 8″ to infinity. Additionally, users can attach filters using the front 46mm thread for even more creative control.
Works with full-frame cameras where the wide-angle 28mm perspective that can be used to capture a variety of subjects, including street, portraits, landscapes, and more.
Fixed f/3.5 aperture helps create a predictable effect in a wide range of situations.
Rotating front dial with options for Twist, Velvet, and Sweet effects.
Twist effect uses a Petzval-inspired design for a central area of sharp focus surrounded by a swirl of twisting bokeh. This optic utilizes four glass elements in three groups.
Velvet effect creates a soft-focus effect with a dreamy center area with a delicate glow out to the edges.
Sweet effect offers a central spot of sharp focus surrounding by a gradual increase in blur.
Manual focusing ring that allows users to focus anywhere from 8″ to infinity.
A flexible workhorse of a lens, the XF 16-55mm f/2.8 R LM WR from FUJIFILM is a versatile standard zoom spanning a 24-84mm equivalent, wide-angle to portrait-length range. Characterized by its bright f/2.8 constant maximum aperture, this lens is adept in difficult lighting conditions and also offers notable control over depth of field. Its optical design comprises both aspherical and extra-low dispersion elements, which help to reduce distortion and color fringing for improved sharpness and color accuracy throughout the zoom range. Nano-GI and HT-EBC coatings have also been applied to elements to minimize surface reflections and prevent lens flare and ghosting.
Complementing the optical attributes is a Twin Linear Motor autofocus system, which offers impressively quick, quiet, and precise focusing that benefits both stills and video applications. Additionally, the lens has a fully weather-sealed design to support its use in trying environmental conditions.
Standard zoom is designed for APS-C-format Fujifilm X-mount mirrorless cameras and offers a 24-84mm equivalent focal length range.
Constant f/2.8 maximum aperture offers consistent performance throughout the zoom range and excels when working in difficult lighting conditions.
Three extra-low dispersion elements are used to greatly reduce color fringing and chromatic aberrations in order to produce high clarity and color fidelity throughout the zoom range.
Three aspherical elements control distortion and spherical aberrations, which helps to improve sharpness and realize more accurate rendering.
Nano-GI (Gradient Index) coating has been applied to lens elements and alters the refractive index between the glass and air in order to better suppress lens flare and ghosting for diagonal incident light.
An HT-EBC (High Transmittance Electron Beam Coating) coating has been applied to the entire surface of each element for controlling ghosting and flare for greater contrast and color accuracy.
A Twin Linear Motor autofocus system delivers smooth, near-silent performance that is especially beneficial to video applications and when working in noise-sensitive areas.
The lens body incorporates extensive weather sealing to protect against dust and moisture, and to enable worry-free use in inclement conditions and freezing temperatures as low as 14°F.
Rounded nine-blade diaphragm contribute to a pleasing out-of-focus quality to benefit the use of selective focus and shallow depth of field techniques.
The 21mm Ultra-Wide Conversion Lens for FE 28mm f/2 Lens from Sony broadens the angle-of-view of the 28mm f/2 lens to 92º for an ultra wide focal length equivalence of 21mm when used with full-frame cameras. As this converter lens is uniquely compatible with the FE 28mm f/2 lens, it transmits EXIF data through the host lens to the camera. The optical design of the converter lens is comprised of 4 elements in 4 groups and when on the 28mm lens, it provides a maximum aperture of f/2.8 and a minimum manual focus distance of 7.9″. When the lens is used with an APS-C E-Mount camera, the converter lens provides a 68° angle of view and a 31.5mm focal length equivalent. It is a compact addition to the 28mm lens with a bayonet mount and features a built-in petal-type lens hood.
A specialized optic for truly close-up shooting, this 20mm f/2 4.5x Super Macro Lens from Mitakon Zhongyi is designed for Canon EF-mount DSLR cameras. Offering a magnification range of 4.5x to 4x, and a minimum working distance of 0.8″, this lens is solely designed for producing greater-than-life-size images of small objects without the need of extension tubes or other accessories. Its compact form-factor makes it ideal for placing into tight or awkward shooting angles and a metal lens barrel offers durability and rigidity.
Designed for full-frame Canon EF-mount DSLRs, this lens can also be used with APS-C-format models, and will provide a 32mm equivalent focal length.
Specialized super macro lens is designed for working with close-up subjects and provides a maximum magnification of 4.5x and a minimum magnification of 4.0x.
Minimum working distance (distance from front of lens to subject) is 0.8″; the lens does not offer infinity focus.
Manual focus control for fine-tuning focus position and a manually adjustable aperture ranges from f/2 to f/16 for adjusting exposure and depth of field.
Six elements in four groups optical design provides consistent edge-to-edge sharpness and illumination.
Wide-angle focal length pairs with the high magnification range for producing dynamic compositions.
