Detalhes dos Produtos
Canon EF 28mm f1.8 USM Lens
$769,99
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Ou 12x de R$ 439,82
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Informação adicional
Peso | 0,30000 kg |
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Fale conosco:
contato@brazilbox.us
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$769,99
PIX - R$ 4.434,64 à vista
Ou 12x de R$ 439,82
Com
DISPONÍVEL POR ENCOMENDA (5 dias úteis)
Peso | 0,30000 kg |
---|
$323,99
PIX - R$ 1.869,19 à vista
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The 21mm Ultra-Wide Conversion Lens for FE 28mm f/2 Lens from Sony broadens the angle-of-view of the 28mm f/2 lens to 92º for an ultra wide focal length equivalence of 21mm when used with full-frame cameras. As this converter lens is uniquely compatible with the FE 28mm f/2 lens, it transmits EXIF data through the host lens to the camera. The optical design of the converter lens is comprised of 4 elements in 4 groups and when on the 28mm lens, it provides a maximum aperture of f/2.8 and a minimum manual focus distance of 7.9″. When the lens is used with an APS-C E-Mount camera, the converter lens provides a 68° angle of view and a 31.5mm focal length equivalent. It is a compact addition to the 28mm lens with a bayonet mount and features a built-in petal-type lens hood.
$323,99
PIX - R$ 1.869,19 à vista
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$106,99
PIX - R$ 620,98 à vista
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This Lens Mount Adapter from Viltrox allows a Nikon F-Mount, D or G-Type lens to be mounted onto a Micro Four Thirds camera. While doing so, the adapter’s optics help to maximize the connected lens’s apparent angle of view while providing a one-stop increase for the camera over the lens’s aperture range.
If a lens intended for larger camera sensors is connected to a Micro Four Thirds camera, it would project an image larger than the camera’s sensor was built to accept. Able to capture only the center portion of the projected image, the effective angle of view of the lens would be narrowed, creating an in-camera “crop factor.” This adapter condenses the light from an attached lens and projects it onto a Micro Four Thirds camera’s sensor. This allows the camera sensor to utilize more of the light gathered by a connected lens, which effectively reduces the crop factor while making available to the sensor an additional one stop of light for each of the lens’s f/stop settings.
This adapter supports manual focusing and eight stops of aperture control. It is constructed with five lens elements in four groups that are designed to provide optical clarity as well as color fidelity, and the underside of its removeable tripod foot is tapped with a 1/4″-20 accessory thread, enabling direct attachment to a tripod or quick release plate that feature 1/4″-20 mounts.
$106,99
PIX - R$ 620,98 à vista
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$2.465,99
PIX - R$ 14.190,27 à vista
Ou 12x de R$ 1.407,41
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This B&H Kit provides four lenses that you can use to shoot images from wide shots to portrait; it includes Rokinon’s 16mm, 35mm, 50mm, and 85mm Cine DS Lenses for Canon EF Mount that feature sharp optics and similar physical characteristics for fast lens changes. The 16mm lens covers APS-C-sized sensors and features a maximum T-Stop of 2.2. The 35, 50, and 85mm lenses share a T-Stop range of 1.5 to 22 and cover full sized lenses. The lenses are suitable for shooting using available light, and as they all share the same exposure range, there is no worry when changing lenses you will also have to change your lighting or camera settings.
Aperture and focus scales are marked on both sides of the lens, which makes it easier for a focus puller to work either side of the lens. The lenses feature a multi-layer coating providing good contrast, a sharp image, and protection from veiling glare. Industry standard focus and iris gear rings share a common position across the lenses for quick lens swaps when working with lens accessories such as follow focus units. Focus and iris are manual only with no electronic focus or iris control by the camera, and the iris ring is de-clicked, which allows you to make smooth iris pulls during a shot.
Utilizing a multi-layer coating process for consistent color rendition from lens to lens, the Rokinon 16mm T2.2 Cine DS Lens answers the challenge of assembling a set of lenses over time. The lens comes in Canon EF mount, and it features industry standard geared focus and iris rings that share common position with other Rokinon Cine DS lenses. To aid focus pullers who have to work both sides of the lens, the aperture and focus scales are marked on both sides of the lens.
This 16mm lens produces a 79.5° angle-of-view when used with a camera with an APS-C sized sensor. Hybrid aspherical lenses render sharply defined images with a minimum of distortion and chromatic aberrations, and it features a minimum focus distance of 7.9″‘ from the lens. A removable petal shaped lens hood provides flare protection when shooting without a matte box, and the lens’s threaded front accepts 77mm filter rings.
Ultra Multi Coated lenses minimize flare and ghosting, and the lenses are color matched to a standard eliminating the need to acquire an entire set of lenses at the same time.
The lens opens up to T2.2, providing the capability for low light shooting or creating shallow depth of field.
$2.465,99
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$2.600,99
PIX - R$ 14.966,81 à vista
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Capture 4K images on a full-frame sensor with this SLR Magic MicroPrime Cine Lens Kit put together by B&H. The set includes 25, 35, 50, and 75mm MicroPrime Cine lenses that share characteristics such as a similar size and weight, consistent gear positions, full-frame sensor support, a 13-blade iris, internal focus design, an 85mm front diameter, and an 82mm front filter thread which make changing focal lengths a breeze while shooting. All four lenses feature a Sony E-mount.
$2.600,99
PIX - R$ 14.966,81 à vista
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$1.941,99
PIX - R$ 11.176,15 à vista
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Described as “weird but genius,” the Canon EF-mount Laowa 24mm f/14 Probe from Venus Optics is a truly unique lens designed for close-up shooting. Distinguished by its long, slender lens barrel, this macro lens provides a 2:1 maximum magnification with a 1.5′ minimum focusing distance and a close 0.8″ minimum working distance. Even with such a close working distance, the lens measures 1.3′ long, placing you at a comfortable distance to photograph nearby subjects. Also, as a wide-angle lens, greater depth of field is afforded when compared to traditional telephoto macro lenses, which allows for greater detail in the background with less subject isolation.
The optical design includes both extra-low dispersion and extra refractive index elements, which help to suppress chromatic and spherical aberrations for a high degree of clarity, color accuracy, and sharpness. Manual focus control permits focusing from 1.5′ to infinity, and the front of the lens has a built-in LED ring light to aid in focusing at close distances. The slim 0.2″ diameter of the front of the lens barrel also offers greater opportunities for lighting subjects from the front. Additionally, the front portion of the lens is waterproof, and permits working with subjects just beneath the surface of water or in other dusty or trying environments.
Wide-angle prime is designed for full-frame Canon EF-mount cameras, however can also be used with APS-C models where it will provide a 38.4mm equivalent focal length.
Seven-blade diaphragm contributes to a pleasing bokeh quality.
$1.941,99
PIX - R$ 11.176,15 à vista
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$248,99
PIX - R$ 1.437,78 à vista
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A specialized optic for truly close-up shooting, this 20mm f/2 4.5x Super Macro Lens from Mitakon Zhongyi is designed for Canon EF-mount DSLR cameras. Offering a magnification range of 4.5x to 4x, and a minimum working distance of 0.8″, this lens is solely designed for producing greater-than-life-size images of small objects without the need of extension tubes or other accessories. Its compact form-factor makes it ideal for placing into tight or awkward shooting angles and a metal lens barrel offers durability and rigidity.
Designed for full-frame Canon EF-mount DSLRs, this lens can also be used with APS-C-format models, and will provide a 32mm equivalent focal length.
Metal lens barrel is both rigid and durable.
$248,99
PIX - R$ 1.437,78 à vista
Ou 12x de R$ 142,58
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