Covering both wide landscapes and tight portraits, the Vario-Tessar T* E 16-70mm f/4 ZA OSS Lens from Sony is a great all-around choice for APS-C-format E-mount cameras. It offers a very versatile 24-105mm equivalent zoom range and even features a constant f/4 aperture for consistent performance. Also, through the use of one extra-low dispersion element, one Advanced Aspherical, and three aspherical elements, users will enjoy sharp, aberration-free imagery. Furthermore, the lens benefits from Zeiss’ T* anti-reflective coating to effectively eliminate ghosting and flare.
For fast, silent autofocus, the 16-70mm is equipped with a linear motor and uses an internal focus design. It also has Optical SteadyShot image stabilization to reduce the effects of camera shake, especially at longer focal lengths. Additionally, the lens can focus as close as 13.8″ and it has a seven-blade circular diaphragm for smooth bokeh.
Based on the Zeiss Tessar optical concept, this lens uses a design with 16 elements in 12 groups that helps ensure a smaller overall lens size along with reduced flaring, distortion, and chromatic aberrations.
A versatile mid-range zoom for APS-C-format E-mount cameras, this 16-70mm lens provides a wide-angle to short telephoto 24-105mm equivalent focal length that works for anything from vast landscapes to tight portraits to distant subjects.
A constant f/4 maximum aperture offers consistent performance throughout the zoom range and also lends greater control over focus position for shallow depth of field techniques.
Zeiss T* anti-reflective coatings have been applied to each lens surface to help minimize reflections in order to provide greater image clarity, contrast, and color fidelity.
One extra-low dispersion glass element is featured in the lens design to help reduce chromatic aberrations and color fringing for improved clarity and color neutrality.
Four aspherical elements, including one Advanced Aspherical (AA), are incorporated in the lens design to reduce astigmatism, field curvature, coma, and other monochromatic aberrations.
Optical SteadyShot image stabilization helps to minimize the appearance of camera shake for sharper imagery when shooting handheld with slower shutter speeds. This stabilization system can also be combined with select camera’s sensor-shift type image stabilization for more effective control of camera blur.
A linear autofocus motor and internal focus design provide quick and precise autofocus performance and enables accurate and silent focusing while recording videos.
Rounded seven-blade diaphragm contributes to a pleasing bokeh quality when employing selective focus techniques.
Capture 4K images on a full-frame sensor with this SLR Magic MicroPrime Cine Lens Kit put together by B&H. The set includes 25, 35, 50, and 75mm MicroPrime Cine lenses that share characteristics such as a similar size and weight, consistent gear positions, full-frame sensor support, a 13-blade iris, internal focus design, an 85mm front diameter, and an 82mm front filter thread which make changing focal lengths a breeze while shooting. All four lenses feature a Sony E-mount.
Presenting impressive reach in a relatively compact design, the Sony E-mount 100-400mm f/5-6.3 DG DN OS Contemporary lens, from Sigma, is a versatile telephoto zoom mixing a hand-holdable design with apt optical performance. A series of low dispersion glass elements are used to achieve high clarity and color accuracy throughout the zoom range, and to suppress chromatic aberrations and color fringing. Complementing the optics is intuitive handling, in which a stepping motor delivers fast, near-silent autofocus performance along with fine-tuned manual focus control. Additionally, four stop-effective optical image stabilization helps to reduce the appearance of camera shake for sharper handheld shooting and this 100-400mm is also compatible with the optional TS-111 Tripod Socket for steady shooting atop a tripod or monopod.
As part of the Contemporary line within Sigma’s Global Vision series, this lens is designed to achieve a balance between convenience and performance, and meshes a compact, lightweight build and versatile handling with notable optical attributes.
Telephoto zoom is designed for full-frame Sony E-mount mirrorless cameras, but can also work with APS-C models where it provides a 150-600mm equivalent focal length range.
One F Low Dispersion (FLD) element and four Special Low Dispersion (SLD) elements markedly reduce chromatic aberrations and color fringing throughout the zoom range for improved clarity and color accuracy.
Optical image stabilization compensates for up to four stops of camera shake to help realize sharp imagery when shooting handheld with slower shutter speeds.
Integrated stepping motor realizes quick and quiet autofocus, which is further complemented by an optimized AF algorithm to produce smoother focusing performance.
At the 100mm end of the zoom range, a minimum focusing distance of 3.7′ is available, and at the 400mm end, the minimum focusing distance is 5.2′ with a maximum magnification of 1:4.1.
Integrated AFL button can be programmed to adjust various shooting settings and the lens also features a focus limiter switch for faster focusing performance within certain distance ranges. There is a zoom lock switch to prevent the barrel from accidentally extended.
Rounded 9-blade diaphragm contributes to a pleasing bokeh quality.
Brass bayonet affords improved mounting accuracy and rigidity and rubber sealing is incorporated in the mount’s design to render it dust- and splash-resistant.
Compatible with optional TS-111 Tripod Socket for working atop a tripod or monopod; the included PT-31 Protective Cover can be attached to the lens to maintain a seamless appearance if the tripod socket is not used.
Don’t waste time pulling a lens out of your bag or swapping optics with the Lensbaby Trio 28mm f/3.5 Lens. This pancake-style lens incorporates a rotating front that holds Twist, Velvet, and Sweet optics for selecting different effects at a moment’s notice. The Twist uses a Petzval-inspired design for a sharp center area surrounded by a swirl of twisty bokeh. Velvet has a dreamy central area with a soft focus look along with a soft glow. Sweet creates a sharp spot of focus in the center with a gradual fall-off to blur. All these can be carried without stuffing your bag with a variety of miscellaneous equipment.
Available here for Sony E-mount cameras, the Trio will provide a wide-angle perspective that is well-suited to street photography. Also, it has a fixed f/3.5 optic that ensures predictable looks in a variety of situations. All the optics are multi-coated for minimal flare and ghosting and a manual focusing ring is included for focusing anywhere from 8″ to infinity. Additionally, users can attach filters using the front 46mm thread for even more creative control.
Works with full-frame cameras where the wide-angle 28mm perspective that can be used to capture a variety of subjects, including street, portraits, landscapes, and more.
Fixed f/3.5 aperture helps create a predictable effect in a wide range of situations.
Rotating front dial with options for Twist, Velvet, and Sweet effects.
Twist effect uses a Petzval-inspired design for a central area of sharp focus surrounded by a swirl of twisting bokeh. This optic utilizes four glass elements in three groups.
Velvet effect creates a soft-focus effect with a dreamy center area with a delicate glow out to the edges.
Sweet effect offers a central spot of sharp focus surrounding by a gradual increase in blur.
Manual focusing ring that allows users to focus anywhere from 8″ to infinity.
The 21mm Ultra-Wide Conversion Lens for FE 28mm f/2 Lens from Sony broadens the angle-of-view of the 28mm f/2 lens to 92º for an ultra wide focal length equivalence of 21mm when used with full-frame cameras. As this converter lens is uniquely compatible with the FE 28mm f/2 lens, it transmits EXIF data through the host lens to the camera. The optical design of the converter lens is comprised of 4 elements in 4 groups and when on the 28mm lens, it provides a maximum aperture of f/2.8 and a minimum manual focus distance of 7.9″. When the lens is used with an APS-C E-Mount camera, the converter lens provides a 68° angle of view and a 31.5mm focal length equivalent. It is a compact addition to the 28mm lens with a bayonet mount and features a built-in petal-type lens hood.
