Covering both wide landscapes and tight portraits, the Vario-Tessar T* E 16-70mm f/4 ZA OSS Lens from Sony is a great all-around choice for APS-C-format E-mount cameras. It offers a very versatile 24-105mm equivalent zoom range and even features a constant f/4 aperture for consistent performance. Also, through the use of one extra-low dispersion element, one Advanced Aspherical, and three aspherical elements, users will enjoy sharp, aberration-free imagery. Furthermore, the lens benefits from Zeiss’ T* anti-reflective coating to effectively eliminate ghosting and flare.
For fast, silent autofocus, the 16-70mm is equipped with a linear motor and uses an internal focus design. It also has Optical SteadyShot image stabilization to reduce the effects of camera shake, especially at longer focal lengths. Additionally, the lens can focus as close as 13.8″ and it has a seven-blade circular diaphragm for smooth bokeh.
Based on the Zeiss Tessar optical concept, this lens uses a design with 16 elements in 12 groups that helps ensure a smaller overall lens size along with reduced flaring, distortion, and chromatic aberrations.
A versatile mid-range zoom for APS-C-format E-mount cameras, this 16-70mm lens provides a wide-angle to short telephoto 24-105mm equivalent focal length that works for anything from vast landscapes to tight portraits to distant subjects.
A constant f/4 maximum aperture offers consistent performance throughout the zoom range and also lends greater control over focus position for shallow depth of field techniques.
Zeiss T* anti-reflective coatings have been applied to each lens surface to help minimize reflections in order to provide greater image clarity, contrast, and color fidelity.
One extra-low dispersion glass element is featured in the lens design to help reduce chromatic aberrations and color fringing for improved clarity and color neutrality.
Four aspherical elements, including one Advanced Aspherical (AA), are incorporated in the lens design to reduce astigmatism, field curvature, coma, and other monochromatic aberrations.
Optical SteadyShot image stabilization helps to minimize the appearance of camera shake for sharper imagery when shooting handheld with slower shutter speeds. This stabilization system can also be combined with select camera’s sensor-shift type image stabilization for more effective control of camera blur.
A linear autofocus motor and internal focus design provide quick and precise autofocus performance and enables accurate and silent focusing while recording videos.
Rounded seven-blade diaphragm contributes to a pleasing bokeh quality when employing selective focus techniques.
Described as “weird but genius,” the Canon EF-mount Laowa 24mm f/14 Probe from Venus Optics is a truly unique lens designed for close-up shooting. Distinguished by its long, slender lens barrel, this macro lens provides a 2:1 maximum magnification with a 1.5′ minimum focusing distance and a close 0.8″ minimum working distance. Even with such a close working distance, the lens measures 1.3′ long, placing you at a comfortable distance to photograph nearby subjects. Also, as a wide-angle lens, greater depth of field is afforded when compared to traditional telephoto macro lenses, which allows for greater detail in the background with less subject isolation.
The optical design includes both extra-low dispersion and extra refractive index elements, which help to suppress chromatic and spherical aberrations for a high degree of clarity, color accuracy, and sharpness. Manual focus control permits focusing from 1.5′ to infinity, and the front of the lens has a built-in LED ring light to aid in focusing at close distances. The slim 0.2″ diameter of the front of the lens barrel also offers greater opportunities for lighting subjects from the front. Additionally, the front portion of the lens is waterproof, and permits working with subjects just beneath the surface of water or in other dusty or trying environments.
Wide-angle prime is designed for full-frame Canon EF-mount cameras, however can also be used with APS-C models where it will provide a 38.4mm equivalent focal length.
Unique macro lens design offers a greater-than-life-size 2:1 maximum magnification along with a minimum focusing distance of 1.5′ and a working distance of just 0.8″.
The long, tubular lens barrel contributes to producing a distinct bug-eye perspective and, despite the short working distance, the length of the lens barrel places the camera at a comfortable shooting distance.
Wide-angle 24mm focal length affords greater depth of field and more surrounding detail than traditional telephoto macro designs, which tend to isolate subject matter with shallow depth of field.
Optical design includes two extra-low dispersion elements that control color fringing and chromatic aberrations in order to produce greater clarity and color accuracy. One extra refractive index element is also featured, which reduces spherical aberrations and distortion for improved sharpness and accurate rendering.
Slim 0.8″ front diameter allows performing unique “slide-in” shots as well as affords a greater range of close-up, inconspicuous shooting opportunities. The smaller front diameter also makes it easier to illuminate close-up subjects from the front.
The front of the lens is also waterproof, allowing you to comfortably work just under the surface of water or in dusty environments.
The front of the lens also has a built-in LED ring light, which is powered via a micro-USB port on the barrel, to provide some illumination on close-up subjects for easier focusing.
Designed for use as a close-up, macro lens, the manual focus operation also lets you focus at infinity.
Seven-blade diaphragm contributes to a pleasing bokeh quality.
This Lens Mount Adapter from Viltrox allows a Nikon F-Mount, D or G-Type lens to be mounted onto a Micro Four Thirds camera. While doing so, the adapter’s optics help to maximize the connected lens’s apparent angle of view while providing a one-stop increase for the camera over the lens’s aperture range.
If a lens intended for larger camera sensors is connected to a Micro Four Thirds camera, it would project an image larger than the camera’s sensor was built to accept. Able to capture only the center portion of the projected image, the effective angle of view of the lens would be narrowed, creating an in-camera “crop factor.” This adapter condenses the light from an attached lens and projects it onto a Micro Four Thirds camera’s sensor. This allows the camera sensor to utilize more of the light gathered by a connected lens, which effectively reduces the crop factor while making available to the sensor an additional one stop of light for each of the lens’s f/stop settings.
This adapter supports manual focusing and eight stops of aperture control. It is constructed with five lens elements in four groups that are designed to provide optical clarity as well as color fidelity, and the underside of its removeable tripod foot is tapped with a 1/4″-20 accessory thread, enabling direct attachment to a tripod or quick release plate that feature 1/4″-20 mounts.
Maximizes apparent angle of view of combined camera and lens
Provides a one-stop increase for the camera over the lens’s aperture range
Five lens elements in four groups for optical clarity as well as color fidelity
Allows manual focus and eight stops of aperture control
Removeable tripod foot with 1/4″-20 accessory thre
Don’t waste time pulling a lens out of your bag or swapping optics with the Lensbaby Trio 28mm f/3.5 Lens. This pancake-style lens incorporates a rotating front that holds Twist, Velvet, and Sweet optics for selecting different effects at a moment’s notice. The Twist uses a Petzval-inspired design for a sharp center area surrounded by a swirl of twisty bokeh. Velvet has a dreamy central area with a soft focus look along with a soft glow. Sweet creates a sharp spot of focus in the center with a gradual fall-off to blur. All these can be carried without stuffing your bag with a variety of miscellaneous equipment.
Available here for Sony E-mount cameras, the Trio will provide a wide-angle perspective that is well-suited to street photography. Also, it has a fixed f/3.5 optic that ensures predictable looks in a variety of situations. All the optics are multi-coated for minimal flare and ghosting and a manual focusing ring is included for focusing anywhere from 8″ to infinity. Additionally, users can attach filters using the front 46mm thread for even more creative control.
Works with full-frame cameras where the wide-angle 28mm perspective that can be used to capture a variety of subjects, including street, portraits, landscapes, and more.
Fixed f/3.5 aperture helps create a predictable effect in a wide range of situations.
Rotating front dial with options for Twist, Velvet, and Sweet effects.
Twist effect uses a Petzval-inspired design for a central area of sharp focus surrounded by a swirl of twisting bokeh. This optic utilizes four glass elements in three groups.
Velvet effect creates a soft-focus effect with a dreamy center area with a delicate glow out to the edges.
Sweet effect offers a central spot of sharp focus surrounding by a gradual increase in blur.
Manual focusing ring that allows users to focus anywhere from 8″ to infinity.
The SLR Magic HyperPrime 50mm T0.95 Lens with MFT Mount is exceptionally fast, making it suitable for extremely low light filming. It supports a cine-style workflow when shooting on a camera with an MFT mount. It features a T0.95 to T16 iris range, with a clickless iris that allows smooth iris pulls, and geared focus and aperture rings.
The lens features a dedicated MFT mount, providing a 35mm equivalent field of view of 100mm on a Four Thirds-sized sensor. With an 88.8mm length, 72.2mm diameter, and a 12-blade iris, the lens is compact and functional.
