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Meike MK-25mm f/1.8 Lens for Micro Four Thirds

$108,99
Aprox R$ 657,21

Providing a natural field of view, the Micro Four Thirds-mount MK-25mm f/1.8 from Meike is a versatile lens, suitable for a range of subjects from portraits to landscapes. The bright f/1.8 maximum aperture enables working in difficult lighting conditions and also offers increased control over depth of field for isolating subject matter with selective focus. Additionally, this manual focus lens permits working with subjects as close as 9.8″ away and printed focusing and depth of field scales aid with zone- and pre-focusing techniques.

This normal-length prime is designed for Micro Four Thirds mirrorless cameras and provides a 50mm equivalent focal length.
Bright f/1.8 maximum aperture benefits working in low-light conditions and also affords greater control over depth of field.
Manual focus design permits working with subjects as close as 9.8″ away.
All-metal lens barrel has a smooth, frosted surface and a metal bayonet mount also affords increased rigidity and mounting accuracy.
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Providing a natural field of view, the Micro Four Thirds-mount MK-25mm f/1.8 from Meike is a versatile lens, suitable for a range of subjects from portraits to landscapes. The bright f/1.8 maximum aperture enables working in difficult lighting conditions and also offers increased control over depth of field for isolating subject matter with selective focus. Additionally, this manual focus lens permits working with subjects as close as 9.8″ away and printed focusing and depth of field scales aid with zone- and pre-focusing techniques.

This normal-length prime is designed for Micro Four Thirds mirrorless cameras and provides a 50mm equivalent focal length.
Bright f/1.8 maximum aperture benefits working in low-light conditions and also affords greater control over depth of field.
Manual focus design permits working with subjects as close as 9.8″ away.
All-metal lens barrel has a smooth, frosted surface and a metal bayonet mount also affords increased rigidity and mounting accuracy.

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As part of the Contemporary line within Sigma’s Global Vision series, this lens is designed to achieve a balance between convenience and performance, and meshes a compact, lightweight build and versatile handling with notable optical attributes.

Telephoto zoom is designed for full-frame Sony E-mount mirrorless cameras, but can also work with APS-C models where it provides a 150-600mm equivalent focal length range.
One F Low Dispersion (FLD) element and four Special Low Dispersion (SLD) elements markedly reduce chromatic aberrations and color fringing throughout the zoom range for improved clarity and color accuracy.
Optical image stabilization compensates for up to four stops of camera shake to help realize sharp imagery when shooting handheld with slower shutter speeds.
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A flexible workhorse of a lens, the XF 16-55mm f/2.8 R LM WR from FUJIFILM is a versatile standard zoom spanning a 24-84mm equivalent, wide-angle to portrait-length range. Characterized by its bright f/2.8 constant maximum aperture, this lens is adept in difficult lighting conditions and also offers notable control over depth of field. Its optical design comprises both aspherical and extra-low dispersion elements, which help to reduce distortion and color fringing for improved sharpness and color accuracy throughout the zoom range. Nano-GI and HT-EBC coatings have also been applied to elements to minimize surface reflections and prevent lens flare and ghosting.

Complementing the optical attributes is a Twin Linear Motor autofocus system, which offers impressively quick, quiet, and precise focusing that benefits both stills and video applications. Additionally, the lens has a fully weather-sealed design to support its use in trying environmental conditions.

Standard zoom is designed for APS-C-format Fujifilm X-mount mirrorless cameras and offers a 24-84mm equivalent focal length range.

Constant f/2.8 maximum aperture offers consistent performance throughout the zoom range and excels when working in difficult lighting conditions.
Three extra-low dispersion elements are used to greatly reduce color fringing and chromatic aberrations in order to produce high clarity and color fidelity throughout the zoom range.
Three aspherical elements control distortion and spherical aberrations, which helps to improve sharpness and realize more accurate rendering.
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