Detalhes dos Produtos
Sirui 50mm T2.9 1.6x Full-Frame Anamorphic Lens (Sony E)
$1.928,99
(15 dias úteis a importação + prazo dos correios)
Informação adicional
| Peso | 2,000 kg |
|---|
Produtos Relacionados
SLR Magic HyperPrime 50mm T0.95 Lens with MFT Mount
SLR Magic HyperPrime 50mm T0.95 Lens with MFT MountThe SLR Magic HyperPrime 50mm T0.95 Lens with MFT Mount is exceptionally fast, making it suitable for extremely low light filming. It supports a cine-style workflow when shooting on a camera with an MFT mount. It features a T0.95 to T16 iris range, with a clickless iris that allows smooth iris pulls, and geared focus and aperture rings.
The lens features a dedicated MFT mount, providing a 35mm equivalent field of view of 100mm on a Four Thirds-sized sensor. With an 88.8mm length, 72.2mm diameter, and a 12-blade iris, the lens is compact and functional.
FUJIFILM XF 10-24mm f/4 R OIS WR Lens
FUJIFILM XF 10-24mm f/4 R OIS WR LensSporting a revised physical design, the FUJIFILM XF 10-24mm f/4 R OIS WR is a versatile wide-angle zoom now featuring robust weather sealing along with more intuitive handling. This 15-36mm-equivalent zoom is characterized by its constant f/4 maximum aperture and advanced optics, which utilize a series of extra-low dispersion and aspherical elements to correct both chromatic and spherical aberrations for high color accuracy, sharpness, and accurate rendering. A Super EBC coating also suppresses flare and ghosting for improved contrast and color neutrality when working in strong lighting conditions. Benefitting the optics, an updated optical image stabilization system minimizes the appearance of camera shake by 3.5 stops for improved sharpness when shooting handheld and a stepping motor offers quick and quiet autofocus performance. Additionally, a reworked physical design includes slimmer focusing and aperture rings, a lockable ‘A’ position and f/stop scale, and the lens now sports a dust- and moisture-sealed design for working in harsh environments.
Wide-angle zoom is designed for FUJIFILM X-mount mirrorless cameras and provides a 15-36mm equivalent focal length range.
Constant f/4 maximum aperture offers consistent performance throughout the zoom range and also helps to realize a relatively compact and lightweight design.
Four extra-low dispersion elements are used to reduce color fringing and chromatic aberrations in order to produce high clarity and color fidelity throughout the zoom range.
Four aspherical elements control distortion and spherical aberrations, which helps to improve sharpness and realize more accurate rendering.
Super EBC coating has been applied to individual elements to reduce lens flare and ghosting for improved contrast and color fidelity when working in strong lighting conditions.
Stepping motor, along with an internal focusing design, affords fast and near-silent autofocus performance that benefits both stills and video applications.
Optical image stabilization minimizes the appearance of camera shake by 3.5 stops to better enable handheld shooting with slower shutter speeds.
Rounded seven-blade diaphragm contributes to a pleasing out-of-focus quality to benefit the use of selective focus and shallow depth of field techniques.
Updated physical design incorporates a locking ‘A’ position on the aperture ring, along with a labeled f/stop scale, and both the aperture and focus rings have been reduced in size to help lessen overall the weight by 0.9 oz compared to the previous version of this focal length.
Weather-resistant design prevents dust and moisture from entering the lens and to enable worry-free use in inclement conditions and freezing temperatures as low as 14°F.
Sony 21mm Ultra-Wide Conversion Lens for FE 28mm f/2 Lens
Sony 21mm Ultra-Wide Conversion Lens for FE 28mm f/2 LensThe 21mm Ultra-Wide Conversion Lens for FE 28mm f/2 Lens from Sony broadens the angle-of-view of the 28mm f/2 lens to 92º for an ultra wide focal length equivalence of 21mm when used with full-frame cameras. As this converter lens is uniquely compatible with the FE 28mm f/2 lens, it transmits EXIF data through the host lens to the camera. The optical design of the converter lens is comprised of 4 elements in 4 groups and when on the 28mm lens, it provides a maximum aperture of f/2.8 and a minimum manual focus distance of 7.9″. When the lens is used with an APS-C E-Mount camera, the converter lens provides a 68° angle of view and a 31.5mm focal length equivalent. It is a compact addition to the 28mm lens with a bayonet mount and features a built-in petal-type lens hood.
Olympus M.Zuiko Digital ED 9-18mm f/4-5.6 Lens
Olympus M.Zuiko Digital ED 9-18mm f/4-5.6 Lens- Micro Four Thirds System
- 18-36mm (35mm Equivalent)
- Aperture Range: f/4-5.6 to f/22
- Three Aspherical Elements
- One HR Element, One ED Element
- Movie & Still Compatible AF System
- Retractable Design
- Rounded 7-Blade Diaphragm
SLR Magic MicroPrime Cine Lens Kit (E-Mount)
SLR Magic MicroPrime Cine Lens Kit (E-Mount)Capture 4K images on a full-frame sensor with this SLR Magic MicroPrime Cine Lens Kit put together by B&H. The set includes 25, 35, 50, and 75mm MicroPrime Cine lenses that share characteristics such as a similar size and weight, consistent gear positions, full-frame sensor support, a 13-blade iris, internal focus design, an 85mm front diameter, and an 82mm front filter thread which make changing focal lengths a breeze while shooting. All four lenses feature a Sony E-mount.
Venus Optics Laowa 24mm f/14 Probe Lens for Canon EF
Venus Optics Laowa 24mm f/14 Probe Lens for Canon EFDescribed as “weird but genius,” the Canon EF-mount Laowa 24mm f/14 Probe from Venus Optics is a truly unique lens designed for close-up shooting. Distinguished by its long, slender lens barrel, this macro lens provides a 2:1 maximum magnification with a 1.5′ minimum focusing distance and a close 0.8″ minimum working distance. Even with such a close working distance, the lens measures 1.3′ long, placing you at a comfortable distance to photograph nearby subjects. Also, as a wide-angle lens, greater depth of field is afforded when compared to traditional telephoto macro lenses, which allows for greater detail in the background with less subject isolation.
The optical design includes both extra-low dispersion and extra refractive index elements, which help to suppress chromatic and spherical aberrations for a high degree of clarity, color accuracy, and sharpness. Manual focus control permits focusing from 1.5′ to infinity, and the front of the lens has a built-in LED ring light to aid in focusing at close distances. The slim 0.2″ diameter of the front of the lens barrel also offers greater opportunities for lighting subjects from the front. Additionally, the front portion of the lens is waterproof, and permits working with subjects just beneath the surface of water or in other dusty or trying environments.
Wide-angle prime is designed for full-frame Canon EF-mount cameras, however can also be used with APS-C models where it will provide a 38.4mm equivalent focal length.
Unique macro lens design offers a greater-than-life-size 2:1 maximum magnification along with a minimum focusing distance of 1.5′ and a working distance of just 0.8″.
The long, tubular lens barrel contributes to producing a distinct bug-eye perspective and, despite the short working distance, the length of the lens barrel places the camera at a comfortable shooting distance.
Wide-angle 24mm focal length affords greater depth of field and more surrounding detail than traditional telephoto macro designs, which tend to isolate subject matter with shallow depth of field.
Optical design includes two extra-low dispersion elements that control color fringing and chromatic aberrations in order to produce greater clarity and color accuracy. One extra refractive index element is also featured, which reduces spherical aberrations and distortion for improved sharpness and accurate rendering.
Slim 0.8″ front diameter allows performing unique “slide-in” shots as well as affords a greater range of close-up, inconspicuous shooting opportunities. The smaller front diameter also makes it easier to illuminate close-up subjects from the front.
The front of the lens is also waterproof, allowing you to comfortably work just under the surface of water or in dusty environments.
The front of the lens also has a built-in LED ring light, which is powered via a micro-USB port on the barrel, to provide some illumination on close-up subjects for easier focusing.
Designed for use as a close-up, macro lens, the manual focus operation also lets you focus at infinity.
Seven-blade diaphragm contributes to a pleasing bokeh quality.
