Fine-tune lens performance with this Lens Station for Rokinon Sony E-mount autofocus lenses. Used in conjunction with Rokinon’s Lens Manager software for Mac and Windows, this console connects to Sony E lenses at the bayonet mount and permits customization over focus and aperture parameters, calibration, and lens’s firmware can also be updated.
In the Box
| Peso | 0.200 kg |
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Providing a natural field of view, the Micro Four Thirds-mount MK-25mm f/1.8 from Meike is a versatile lens, suitable for a range of subjects from portraits to landscapes. The bright f/1.8 maximum aperture enables working in difficult lighting conditions and also offers increased control over depth of field for isolating subject matter with selective focus. Additionally, this manual focus lens permits working with subjects as close as 9.8″ away and printed focusing and depth of field scales aid with zone- and pre-focusing techniques.
This B&H Kit provides four lenses that you can use to shoot images from wide shots to portrait; it includes Rokinon’s 16mm, 35mm, 50mm, and 85mm Cine DS Lenses for Canon EF Mount that feature sharp optics and similar physical characteristics for fast lens changes. The 16mm lens covers APS-C-sized sensors and features a maximum T-Stop of 2.2. The 35, 50, and 85mm lenses share a T-Stop range of 1.5 to 22 and cover full sized lenses. The lenses are suitable for shooting using available light, and as they all share the same exposure range, there is no worry when changing lenses you will also have to change your lighting or camera settings.
Aperture and focus scales are marked on both sides of the lens, which makes it easier for a focus puller to work either side of the lens. The lenses feature a multi-layer coating providing good contrast, a sharp image, and protection from veiling glare. Industry standard focus and iris gear rings share a common position across the lenses for quick lens swaps when working with lens accessories such as follow focus units. Focus and iris are manual only with no electronic focus or iris control by the camera, and the iris ring is de-clicked, which allows you to make smooth iris pulls during a shot.
Utilizing a multi-layer coating process for consistent color rendition from lens to lens, the Rokinon 16mm T2.2 Cine DS Lens answers the challenge of assembling a set of lenses over time. The lens comes in Canon EF mount, and it features industry standard geared focus and iris rings that share common position with other Rokinon Cine DS lenses. To aid focus pullers who have to work both sides of the lens, the aperture and focus scales are marked on both sides of the lens.
This 16mm lens produces a 79.5° angle-of-view when used with a camera with an APS-C sized sensor. Hybrid aspherical lenses render sharply defined images with a minimum of distortion and chromatic aberrations, and it features a minimum focus distance of 7.9″‘ from the lens. A removable petal shaped lens hood provides flare protection when shooting without a matte box, and the lens’s threaded front accepts 77mm filter rings.
Ultra Multi Coated lenses minimize flare and ghosting, and the lenses are color matched to a standard eliminating the need to acquire an entire set of lenses at the same time.
The lens opens up to T2.2, providing the capability for low light shooting or creating shallow depth of field.
• Control Ring for Direct Setting Changes.
• 12-Pin Communication System.
• Dust- and Water-resistant with Fluorine Coating.
• Four UD Elements and Air-Sphere Coating (ASC).
• Minimum Focusing Distance of 1.97 ft. and Maximum Magnification of 0.28x.
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